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Silvester Zwaneveld (b. 1969)

Birthplace:
Beilen, Drenthe, Nederland

Born:
November 3, 1969

Biography from TheMovieDB

Silvester werd geboren op 3 november 1969 in Beilen. Na vele rond zwervingen studeerde hij af aan de kunstacademie te Rotterdam. Silvester is bekend van het cabaretduo dat een hype werd, ‘Arie&Silvester’. Na jaren van relatief plat vermaak, zocht en vond hij diepgang in zijn solo-shows, die met veel enthousiasme worden onthaald. In september 2010 start de toernee van zijn tweede solo ‘Het recht van de sterkste’. Silvester is actief als lijstduwer van GroenLinks in de stad Apeldoorn. Hij maakt non verbale theaterstukken, is illustrator en werkt met regelmaat achter de schermen aan diverse televisieprogramma’s. Silvester heeft ervaring als regisseur, schrijver, editor, redacteur, presentator en vormgever van diverse televisieprogramma's. Hij werkte onder meer aan Onder de Tram, Bij Sinterklaas, Oraal, Ouwehoeren, Zoetekoek, VPRO's primus, Wie denken ze wel dat ze zijn, Hazeldonk, Pauw in Panama, Een beetje Bridget en de Hemelpoort. Daarnaast regisseerde hij een verschillende theaterregistraties. Hij woont samen met schrijfster en KRO Kindertijd-presentatrice Nanda Roep. Samen hebben ze twee kinderen.

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Additional information:

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Film Performances

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Film Production

Animation:
2022  The One

Director:
2022  The One

Editor:
2006  Het Schip
2022  The One

Producer:
2006  Het Schip
2022  The One

Scenario Writer:
2006  Het Schip
2022  The One

Writer:
2006  Het Schip
2010  Silvester: Alone
2022  The One

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.