A work in constant progress (and occasional regress).
Alias:
Joseph Stewart Burns
Born:
December 4, 1969
Joseph Stewart Burns, better known as J. Stewart Burns, is a television writer and producer most notable for his work on The Simpsons, Futurama, and Unhappily Ever After. Burns attended Harvard University, where he wrote for the Harvard Lampoon. Noted in the DVD commentaries of "The Deep South" and "Roswell That Ends Well", Burns has an M.A. in Mathematics from UC Berkeley, where he studied under John Rhodes.[citation needed] Burns is partly credited for The Simpsons’ inclusion of a number of complex mathematical concepts and jokes within the series. Burns was famously referenced in a 1993 Newsweek article about his decision to jump from pursuing a graduate degree in mathematics to writing comedy: "You could read the entire story of American decline in that one career move." Burns got his start by writing for Beavis and Butthead. Since then, he has written for The Simpsons, Futurama, and Unhappily Ever After. Burns has won the Emmy Award for Outstanding Animation Program four times - for Futurama in 2002, and for The Simpsons in 2006, 2008 and 2019. Aside from writing on the original series, Burns also wrote the script for the Futurama video game as well as one of the Spyro games. Burns developed and has served as the game runner of The Simpsons: Tapped Out since its inception. Burns lives in Los Angeles and is married to screenwriter Lillian Yu.
Co-Executive Producer:
2024 The Simpsons: O C'mon All Ye Faithful
Writer:
2022 Welcome to the Club
2024 The Most Wonderful Time of the Year
2024 The Simpsons: O C'mon All Ye Faithful
Producer:
1999 Futurama
Writer:
1989 The Simpsons
1999 Futurama
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.