A work in constant progress (and occasional regress).
Birthplace:
Philippeville - Constantine - France - [now Skikda, Algeria]
Born:
July 30, 1941
Died:
May 19, 2022
Jean-Louis Comolli is a French filmmaker, screenwriter and writer, born in 1941 in Philippeville (now Skikda, Algeria). After working for Les Cahiers du Cinéma from 1962 to 1978, of which he was editor in chief from 1966 to 1971, he became a director of fiction and documentaries. Also a journalist for Jazz Magazine, he has co-written or edited several books on jazz. His multiple works and his theoretical thinking on cinema have nourished many filmmakers and documentary lovers. He died on May 19, 2022.
Director:
1968 En passant par le Québec : le jeune cinéma canadien
1968 Les deux marseillaises
1968 Pierre Perrault - L'action parlée
1969 Le jeune cinéma hongrois : Miklos Jancso
1971 Vivre et filmer en Hongrie
1976 La Cecilia
1978 Totò, une anthologie
1981 The Red Shade
1983 Stray Bullets
1987 Pétition
1989 Marseille de père en fils - Coup de mistral
1989 Marseille de père en fils - Ombres sur la ville
1991 Naissance d'un hôpital
1992 La campagne de Provence
1993 Chahine & Co
1993 La vraie vie (dans les bureaux)
1993 Marseille en mars
1994 Un Américain en Normandie
1995 Music for the Movies: Georges Delerue
1996 Marseille contre Marseille
1997 La question des alliances
1997 Le Concerto de Mozart
2000 Buenaventura Durruti, anarquista
2001 L'affaire Sofri
2001 Nos deux Marseillaises
2003 Rêves de France à Marseille
2005 L'ultima utopia: la televisione secondo Rossellini
2009 Facing the Phantoms
2010 Filmer aujourd'hui
2011 À voir absolument: 1963-1973 Dix années aux Cahiers du Cinéma
2014 Cinéma documentaire, Fragments d'une histoire
2016 Marseille entre deux tours
2018 Les Fantômes de Mai 68
2020 Nicolas Philibert, Hasard et Nécessité
Writer:
1968 En passant par le Québec : le jeune cinéma canadien
1968 Les deux marseillaises
1968 Pierre Perrault - L'action parlée
1969 Le jeune cinéma hongrois : Miklos Jancso
1971 Vivre et filmer en Hongrie
1976 La Cecilia
1978 Totò, une anthologie
1981 Heat of Desire
1981 The Red Shade
1983 Hiver 60
1983 Stray Bullets
1987 Pétition
1989 Marseille de père en fils - Coup de mistral
1989 Marseille de père en fils - Ombres sur la ville
1991 Naissance d'un hôpital
1991 Retrato de Família
1992 La campagne de Provence
1993 Chahine & Co
1993 La vraie vie (dans les bureaux)
1993 Marseille en mars
1994 Un Américain en Normandie
1995 Music for the Movies: Georges Delerue
1996 Marseille contre Marseille
1997 La question des alliances
1997 Le Concerto de Mozart
2000 Buenaventura Durruti, anarquista
2001 L'affaire Sofri
2001 Nos deux Marseillaises
2003 Rêves de France à Marseille
2005 L'ultima utopia: la televisione secondo Rossellini
2009 Facing the Phantoms
2010 Filmer aujourd'hui
2011 À voir absolument: 1963-1973 Dix années aux Cahiers du Cinéma
2014 Cinéma documentaire, Fragments d'une histoire
2016 Marseille entre deux tours
2018 Les Fantômes de Mai 68
2020 Nicolas Philibert, Hasard et Nécessité
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.