A work in constant progress (and occasional regress).
Alias:
G. K. Chesterton
G.K. Chesterton
Gilbert K. Chesterton
Гилберт Кит Честертон
Birthplace:
Kensington, London, England, UK
Born:
May 29, 1874
Died:
June 14, 1936
Gilbert Keith Chesterton KC*SG (29 May 1874 - 14 June 1936) was an English writer, philosopher, lay theologian, and literary and art critic. He has been referred to as the "prince of paradox". Time magazine observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out". Chesterton created the fictional priest-detective Father Brown, and wrote on apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, his "friendly enemy", said of him, "He was a man of colossal genius". Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin.
Novel:
1978 The Face in the Target
2016 The Man Who Was Thursday
Original Story:
1978 The Face in the Target
1979 Sanctuary of Fear
2016 The Man Who Was Thursday
2021 Magic
Story:
1934 Father Brown, Detective
1954 Father Brown
1960 The Black Sheep
1962 Er kanns nicht lassen
1978 The Face in the Target
1979 Sanctuary of Fear
2016 The Man Who Was Thursday
2021 Magic
Characters:
2013 Father Brown
Story:
1974 Father Brown
2013 Father Brown
Writer:
1974 Father Brown
2013 Father Brown
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.