A work in constant progress (and occasional regress).
Birthplace:
Kanagawa Prefecture, Japan
Born:
July 9, 1936
Katsu Kanai (金井 勝, Kanai Katsu, born 9 July 1936) is a Japanese experimental and avant-garde film director. The Harvard Film Archive has called him "one of the most vital and inventive filmmakers in the history of Japanese underground film". Born the son of a farmer in Kanagawa Prefecture, Kanai graduated from the College of Art of Nihon University before finding work at Daiei Film. He later became a freelance cinematographer and founded Kanai Productions in 1968. His first film, The Deserted Archipelago (1969, aka The Desert Island) won the grand prix at the Nyon International Documentary Film Festival. His second film, Good-Bye (1971), was the "first post-war, post-liberation Japanese feature to be filmed in Korea," and according to the film scholar Oliver Dew, illustrated "how a surreal, decided non-representational approach could block the determinations of cultural essentialism". His 2003 work, Super Documentary: The Avant-Garde Senjutsu, was awarded the FIPRESCI award at the International Short Film Festival Oberhausen. Kanai has been the subject of retrospectives at Oberhausen, the Lausanne Underground Film and Music Festival, and the Harvard Film Archive.
Director:
1969 The Deserted Archipelago
1971 Good-Bye
1973 The Kingdom
1991 The Stormy Times
1998 Holy Theater
2003 Super Documentary: The Avant-Garde Senjutsu
Director of Photography:
1969 The Deserted Archipelago
1971 Good-Bye
1973 The Kingdom
1991 The Stormy Times
1998 Holy Theater
2003 Super Documentary: The Avant-Garde Senjutsu
Producer:
1969 The Deserted Archipelago
1971 Good-Bye
1973 The Kingdom
1991 The Stormy Times
1998 Holy Theater
2003 Super Documentary: The Avant-Garde Senjutsu
Screenplay:
1969 The Deserted Archipelago
1971 Good-Bye
1973 The Kingdom
1991 The Stormy Times
1998 Holy Theater
2003 Super Documentary: The Avant-Garde Senjutsu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.