A work in constant progress (and occasional regress).
Alias:
Nico
Birthplace:
Viña del Mar, Chile
Born:
May 23, 2002
Nicolás Núñez is a Chilean filmmaker with a degree in Audiovisual Communication. With a strong technical and artistic background, he has specialized in cinematography and image post-production, standing out for his visual sensitivity, professional commitment, and collaborative approach on set. His career spans various fields within the audiovisual world, having worked on short films, music videos, documentaries, and experimental pieces. He was the cinematographer and colorist of the short film Dos Horas, selected at the 2025 Lebu International Film Festival and Femcine 2025. He also worked as director of photography on El Cambiazo, where he further developed a visual style that blends technical precision with emotional storytelling. In 2025, he directed Génesis, an experimental short film that symbolically explores the evolution of an idea through a dreamlike and introspective aesthetic. Back in 2021, he joined the large-scale production Un Like de Navidad as a production assistant, gaining experience with high-level technical and logistical teams. Additionally, he worked as cinematographer on Las Cenizas, selected at FICVIÑA 2023, reaffirming his commitment to auteur cinema.
Camera Operator:
2025 Two Hours
Colorist:
2023 The Ashes
2025 Two Hours
Director:
2023 The Ashes
2025 Génesis
2025 Two Hours
Director of Photography:
2023 The Ashes
2025 Génesis
2025 Two Hours
Editor:
2023 The Ashes
2025 Génesis
2025 Two Hours
Production Director:
2023 The Ashes
2025 Génesis
2025 Two Hours
Production Intern:
2022 Un like de Navidad
2023 The Ashes
2025 Génesis
2025 Two Hours
Screenplay:
2022 Un like de Navidad
2023 The Ashes
2025 Génesis
2025 Two Hours
Script:
2022 Un like de Navidad
2023 The Ashes
2025 Génesis
2025 Two Hours
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.