A work in constant progress (and occasional regress).
Sound:
1998 Baran and the Native
2002 The Deserted Station
2006 A Few Days Later...
2009 Mohakate Ghazaleh Alizadeh
2011 No Men Allowed
2016 Bench Cinema
2021 Careless Crime
Sound Designer:
1998 Baran and the Native
2001 The Hidden Half
2002 The Deserted Station
2006 A Few Days Later...
2009 Mohakate Ghazaleh Alizadeh
2011 No Men Allowed
2016 Bench Cinema
2021 Careless Crime
Sound Editor:
1998 Baran and the Native
2001 The Hidden Half
2002 The Deserted Station
2006 A Few Days Later...
2009 Mohakate Ghazaleh Alizadeh
2011 No Men Allowed
2012 My Tribe
2016 Bench Cinema
2021 Careless Crime
Sound Engineer:
1998 Baran and the Native
2001 The Hidden Half
2002 The Deserted Station
2006 A Few Days Later...
2009 Mohakate Ghazaleh Alizadeh
2011 No Men Allowed
2012 My Tribe
2016 Bench Cinema
2021 Careless Crime
Sound Mixer:
1995 The Blue-Veiled
1998 Baran and the Native
1998 The May Lady
2001 The Hidden Half
2002 The Deserted Station
2006 A Few Days Later...
2009 Mohakate Ghazaleh Alizadeh
2011 No Men Allowed
2012 My Tribe
2016 Bench Cinema
2021 Careless Crime
???? Common Hole
Sound Recordist:
1995 The Blue-Veiled
1997 Imaginary Painting
1998 Baran and the Native
1998 The May Lady
2001 The Hidden Half
2002 The Deserted Station
2006 A Few Days Later...
2009 Mohakate Ghazaleh Alizadeh
2011 No Men Allowed
2012 My Tribe
2016 Bench Cinema
2017 Invasion
2021 Careless Crime
???? Common Hole
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.