A work in constant progress (and occasional regress).
Birthplace:
Paris, Ile-de-France, France
Born:
May 3, 1927
Died:
November 5, 2017
Philippe Condroyer was a French film and television director and screenwriter, recognized for his contributions to mid-20th-century French cinema. Born in Paris, he was the son of journalist and novelist Émile Condroyer, the first recipient of the Prix Albert-Londres in 1933. Philippe began his career as an assistant director before making his directorial debut with the short film Fugue in 1960. He gained prominence with Tintin and the Blue Oranges (1964), a live-action adaptation of Hergé's famous comic series. Condroyer continued to direct and write for both film and television, with notable works including Un homme à abattre (1967) and La Coupe à dix francs (1974). His work is characterized by its narrative clarity and engagement with contemporary themes.
Director:
1964 Tintin and the Blue Oranges
1967 A Man to Kill
1975 The $2 Haircut
1981 Un paquebot dans la tête
Scenario Writer:
1960 Villa Mon Rêve
1964 Tintin and the Blue Oranges
1967 A Man to Kill
1975 The $2 Haircut
1981 Un paquebot dans la tête
Screenplay:
1960 Villa Mon Rêve
1964 Tintin and the Blue Oranges
1967 A Man to Kill
1975 The $2 Haircut
1981 Un paquebot dans la tête
Story:
1960 Villa Mon Rêve
1964 Tintin and the Blue Oranges
1967 A Man to Kill
1975 The $2 Haircut
1981 Un paquebot dans la tête
Writer:
1960 Villa Mon Rêve
1964 Tintin and the Blue Oranges
1967 A Man to Kill
1975 The $2 Haircut
1981 Un paquebot dans la tête
Director:
1973 La mer est grande
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.