A work in constant progress (and occasional regress).
Cinematography:
1998 Freeriders
Director:
1994 Pushing the Limits
1998 Freeriders
2000 Nuit de la glisse: Freeman
2002 Nuit de la glisse: Elevation
2004 Perfect moment - L'aventure continue
2005 Perfect Moment - The Contact
2006 Perfect Moment - The Ultimate Round
2011 Nuit de la glisse: At the Very Last Moment
2012 Nuit de la Glisse: Pushing the Limits
2014 Addicted to Life
2014 Imagine: Life Spent on the Edge
2015 Don't Crack Under Pressure
2016 Don't Crack Under Pressure II
2017 Don't Crack Under Pressure III
2018 Magnetic
2021 Reset
2024 Nuit de la Glisse 2024: HUMAN X Part II
Screenplay:
1994 Pushing the Limits
1998 Freeriders
2000 Nuit de la glisse: Freeman
2002 Nuit de la glisse: Elevation
2004 Perfect moment - L'aventure continue
2005 Perfect Moment - The Contact
2006 Perfect Moment - The Ultimate Round
2011 Nuit de la glisse: At the Very Last Moment
2012 Nuit de la Glisse: Pushing the Limits
2014 Addicted to Life
2014 Imagine: Life Spent on the Edge
2015 Don't Crack Under Pressure
2016 Don't Crack Under Pressure II
2017 Don't Crack Under Pressure III
2018 Magnetic
2021 Reset
2024 Nuit de la Glisse 2024: HUMAN X Part II
Writer:
1994 Pushing the Limits
1998 Freeriders
2000 Nuit de la glisse: Freeman
2002 Nuit de la glisse: Elevation
2004 Perfect moment - L'aventure continue
2005 Perfect Moment - The Contact
2006 Perfect Moment - The Ultimate Round
2011 Nuit de la glisse: At the Very Last Moment
2012 Nuit de la Glisse: Pushing the Limits
2014 Addicted to Life
2014 Imagine: Life Spent on the Edge
2015 Don't Crack Under Pressure
2016 Don't Crack Under Pressure II
2017 Don't Crack Under Pressure III
2018 Magnetic
2021 Reset
2024 Nuit de la Glisse 2024: HUMAN X Part II
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.