A work in constant progress (and occasional regress).
Birthplace:
Budapest, Hungary
Born:
July 19, 1947
Gyula Gazdag (born 19 July 1947 in Budapest) is a Hungarian film director, screenwriter and actor. Gyula Gazdag is a director of film, theater and television. He was a professor at the UCLA School of Theater, Film and Television from 1993-2015 and has served as the artistic director of the Sundance Filmmakers Lab since 1997. His numerous feature films include A Hungarian Fairy Tale (1987), which won the Special Jury Prize at the Locarno Film Festival. Named one of the year’s 10 Best Films by the Village Voice and the Best Feature Film of the year by the Hungarian Film Critics Awards, it screened at 20 film festivals worldwide, including the Directors’ Fortnight at Cannes. Gazdag’s other films include Stand Off (1989), which won a Special Jury Prize at the San Sebastián International Film Festival; Lost Illusions (1983), named Best Screenplay by Hungarian Film Week; Singing on the Treadmill (1974); The Whistling Cobblestone(1971), named Best First Feature by the Hungarian Film Critics Awards; and Swap. Gazdag has also directed many documentaries, including A Poet on the Lower East Side: A Docu-Diary on Allen Ginsberg (1997); Hungarian Chronicles (1991); Berlinale Forum entrant Package Tour (1985); The Banquet (1982); The Resolution (1972), named on one of the best 100 documentaries of all time by the International Documentary Association; The Selection (1970) and The Long Distance Runner (1969). Most of Gazdag’s films were banned for shorter or longer periods of time in communist Hungary; some also had been denied foreign exhibition. For the stage, he directed Candide, The Bald Soprano, The Abduction From the Seraglio, The Tempest, Tom Jones and The Hothouse, among many others. Gazdag has been a creative advisor at the Maurits Binger Film Institute in Amsterdam since 2002 and at the Script Station of the Berlinale Talent Campus since 2006.
Director:
1957 The banquet
1966 Prelude
1968 Long Distance Runner
1970 Selection
1971 The Whistling Cobblestone
1972 Az ítélet
1972 The Resolution
1974 Bastion Promenade Seventy Four
1978 Swap
1979 A három jószívű rabló
1983 Lost Illusions
1985 Package Tour
1987 A Hungarian Fairy Tale
1989 Stand off
1997 A Poet from the Lower East Side
Editor:
1957 The banquet
1966 Prelude
1968 Long Distance Runner
1970 Selection
1971 The Whistling Cobblestone
1972 Az ítélet
1972 The Resolution
1974 Bastion Promenade Seventy Four
1975 Requiem for a Revolutionary
1978 Swap
1979 A három jószívű rabló
1983 Lost Illusions
1985 Package Tour
1987 A Hungarian Fairy Tale
1989 Stand off
1997 A Poet from the Lower East Side
Screenplay:
1957 The banquet
1966 Prelude
1968 Long Distance Runner
1970 Selection
1971 The Whistling Cobblestone
1972 Az ítélet
1972 The Resolution
1974 Bastion Promenade Seventy Four
1975 Requiem for a Revolutionary
1978 Swap
1979 A három jószívű rabló
1983 Lost Illusions
1985 Package Tour
1987 A Hungarian Fairy Tale
1989 Stand off
1997 A Poet from the Lower East Side
Thanks:
1957 The banquet
1966 Prelude
1968 Long Distance Runner
1970 Selection
1971 The Whistling Cobblestone
1972 Az ítélet
1972 The Resolution
1974 Bastion Promenade Seventy Four
1975 Requiem for a Revolutionary
1978 Swap
1979 A három jószívű rabló
1983 Lost Illusions
1985 Package Tour
1987 A Hungarian Fairy Tale
1989 Stand off
1997 A Poet from the Lower East Side
2013 American Road
Writer:
1957 The banquet
1966 Prelude
1968 Long Distance Runner
1970 Selection
1971 The Whistling Cobblestone
1972 Az ítélet
1972 The Resolution
1974 Bastion Promenade Seventy Four
1975 Requiem for a Revolutionary
1978 Swap
1979 A három jószívű rabló
1983 Lost Illusions
1985 Package Tour
1987 A Hungarian Fairy Tale
1989 Stand off
1997 A Poet from the Lower East Side
2013 American Road
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.