A work in constant progress (and occasional regress).
Birthplace:
Pescara, Italy
Born:
June 18, 1976
Camera Operator:
2007 Adil & Yusuf
2017 The Day
Cinematography:
2007 Adil & Yusuf
2017 The Day
2024 Eternal Visionary
Director of Photography:
2004 Zinanà
2006 ...e se domani
2006 Tana libera tutti
2007 Adil & Yusuf
2008 Fleeting Love
2008 Signori Professori
2008 Sofia
2009 Good morning Aman
2009 Se ci dobbiamo andare andiamoci
2009 The Bee and the Wind
2009 The Other Half
2010 Niente orchidee
2010 Una notte blu cobalto
2011 Annalisa
2011 Eclissi di fine stagione
2012 Cargo
2012 Nina
2012 Pinuccio Lovero - Yes I Can
2012 Tiger Boy
2013 The Last Shepherd
2014 Quiet Bliss
2014 The Ice Forest
2016 Italian Race
2016 Ningyo
2016 See You in Texas
2016 They Call Me Jeeg
2016 Valparaiso
2017 Couple Therapy for Cheaters
2017 Diva!
2017 Husband & Wife
2017 Io sì tu no
2017 The Day
2018 Capri-Revolution
2019 Il grande spirito
2019 The Man Without Gravity
2019 The Most Beautiful Day in the World
2020 Our Father
2021 Freaks Out
2021 Three Floors
2022 Burning Hearts
2022 Caravaggio's Shadow
2022 The Desired War
2022 The Shadow of the Day
2023 A Brighter Tomorrow
2023 The Penitent - A Rational Man
2024 Eternal Visionary
2024 Her Second Chance
2024 Nottefonda
Director of Photography:
2016 Dov'è Mario?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.