A work in constant progress (and occasional regress).
Birthplace:
Paramaribo - Dutch Guiana [now Suriname]
Born:
January 4, 1940
Died:
September 6, 2024
Pim de la Parra (5 January 1940 – 6 September 2024) was a Surinamese-Dutch film director. De la Parra was born in Paramaribo and is partly of Portuguese-Jewish descent. He was educated at the Netherlands Film Academy. He became an editorial board member of the film magazine Skoop from 1963 which had been established by other students of the Academy.Between 1967 and 1976, he directed films under the independent production company Scorpio Films with Dutch film director Wim Verstappen, who managed all of its achievements. After a few short films, he began his career as an international director with Obsessions (1969), co-written by Martin Scorsese. He co-produced Blue Movie (1971) by Wim Verstappen, which was one of the most erotic movies of its time, showing nudity with a realism that confounded critics and censorship authorities. It was followed by Frank en Eva (1973), Alicia (1974), Dakota (1975) and Mijn Nachten met Susan, Olga, Albert, Julie, Piet & Sandra (1975), these four films forming an erotic tetralogy written with Charles Gormley. In 1976, he directed Wan Pipel, the first film shot entirely with actors from Suriname. De la Parra had two daughters: the actress Bodil(born 1963) and the comedian Nina (born 1987). His son, Pimm Jal (born 1966) died in 2002. De la Parra died in Paramaribo on 6 September 2024, at the age of 84.
Director:
1965 Aah... Tamara
1965 Jongens, jongens, wat een meid
1966 Heart Beat Fresco
1969 Joop
1969 Obsessions
1970 Rubia's Jungle
1973 Frank and Eva
1975 My Nights with Susan, Sandra, Olga & Julie
1976 One People
1980 Dirty Picture
1985 Paul Chevrolet and the Ultimate Hallucination
1986 Intoxicated
1987 Odyssey of Love
1989 Lost in Amsterdam
1990 Let the Music Dance
1990 The Night of the Wild Donkeys
2007 Het geheim van de Saramacca rivier
Producer:
1965 Aah... Tamara
1965 Jongens, jongens, wat een meid
1966 De minder gelukkige terugkeer van Joszef Katus naar het land van Rembrandt
1966 Heart Beat Fresco
1967 Confessions of Loving Couples
1969 Drop-out
1969 Joop
1969 Obsessions
1970 Rubia's Jungle
1971 Blue Movie
1972 VD
1973 Frank and Eva
1974 Alicia
1974 Dakota
1975 Mens erger je niet
1975 My Nights with Susan, Sandra, Olga & Julie
1976 One People
1980 Dirty Picture
1985 Paul Chevrolet and the Ultimate Hallucination
1986 Intoxicated
1987 Odyssey of Love
1989 Lost in Amsterdam
1990 Let the Music Dance
1990 The Night of the Wild Donkeys
1991 How to Survive a Broken Heart
2007 Het geheim van de Saramacca rivier
Writer:
1965 Aah... Tamara
1965 Jongens, jongens, wat een meid
1966 De minder gelukkige terugkeer van Joszef Katus naar het land van Rembrandt
1966 Heart Beat Fresco
1967 Confessions of Loving Couples
1969 Drop-out
1969 Joop
1969 Obsessions
1970 Rubia's Jungle
1971 Blue Movie
1972 VD
1973 Frank and Eva
1974 Alicia
1974 Dakota
1975 Mens erger je niet
1975 My Nights with Susan, Sandra, Olga & Julie
1976 One People
1980 Dirty Picture
1985 Paul Chevrolet and the Ultimate Hallucination
1986 Intoxicated
1987 Odyssey of Love
1989 Lost in Amsterdam
1989 Max & Laura & Henk & Willie
1990 Let the Music Dance
1990 The Night of the Wild Donkeys
1991 How to Survive a Broken Heart
2007 Het geheim van de Saramacca rivier
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.