A work in constant progress (and occasional regress).
Nick Reynolds is the Vice President of Film at Rideback, the film and television production company behind globally successful live-action and animated features, with over $5 billion in worldwide box office revenue. In his role, Reynolds oversees the development of original and IP-based films across a range of genres, with a focus on championing emerging creative talent. He served as Executive Producer on Disney’s Haunted Mansion (2023), inspired by the iconic theme park attraction and starring LaKeith Stanfield, Tiffany Haddish, and Owen Wilson, and on the Amblin/Universal comedy Easter Sunday (2022), directed by Jay Chandrasekhar and starring Jo Koy. Reynolds is also producing several upcoming projects, including The Partner (Universal), based on the novel by John Grisham, Nineteen Steps (Netflix), and Molina (Disney). Before joining Rideback in 2015, Reynolds worked in development and production at DreamWorks Studios alongside Rideback Co-CEO Jonathan Eirich. A native of Manhattan’s Upper West Side, he attended Trinity School and earned his degree from New York University.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.