A work in constant progress (and occasional regress).
Alias:
Thomas Philip Pollock
Birthplace:
Los Angeles, California, U.S.
Born:
April 10, 1943
Died:
August 1, 2020
Thomas Philip Pollock (April 10, 1943 – August 1, 2020) was an American film producer and studio executive. He started his career as an entertainment lawyer, before transitioning to a studio executive and film producer. He was the chairman of the board of trustees of the American Film Institute, an adjunct professor of film at the University of California, Santa Barbara, a trustee of the Los Angeles Music Center and a member of the California Bar Association. He was also co-owner of The Montecito Picture Company. Description above from the Wikipedia article Tom Pollock, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Executive Producer:
2000 Road Trip
2001 Evolution
2002 Killing Me Softly
2003 Old School
2004 EuroTrip
2009 I Love You, Man
2009 Post Grad
2009 The Uninvited
2009 Up in the Air
2010 Chloe
2011 No Strings Attached
2014 Draft Day
2016 Ghostbusters
2017 Baywatch
2017 Father Figures
2020 A Babysitter's Guide to Monster Hunting
2020 Godmothered
2021 Ghostbusters: Afterlife
Producer:
2000 Road Trip
2001 Evolution
2002 Killing Me Softly
2003 Old School
2004 EuroTrip
2007 Disturbia
2009 I Love You, Man
2009 Post Grad
2009 The Uninvited
2009 Up in the Air
2010 Chloe
2011 No Strings Attached
2012 Hitchcock
2014 Draft Day
2016 Ghostbusters
2017 Baywatch
2017 Father Figures
2020 A Babysitter's Guide to Monster Hunting
2020 Godmothered
2021 Ghostbusters: Afterlife
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.