Ben Sampson (b. 2001)

Alias:
*The New ABengers
12 Angry Ben
Ben of Thieves
Benland Empire
Brycoflix
Memories of the Ben

Birthplace:
Carroll, Iowa

Born:
May 20, 2001

Redheaded Ben is a rising filmmaker from Carroll, Iowa, known for his evocative storytelling, haunting Midwestern landscapes, and unmistakable strawberry blonde hair. His work captures the quiet emotional gravity of rural life, told through a lens shaped by memory, tension, and tender realism.  Ben earned his MFA in Film and Video Production from the University of Iowa, where he developed a filmmaking style rooted in restraint and sincerity. Influenced by long silences, weathered hands, and empty barns at dusk, his short films have been praised on the regional circuit for their emotional clarity and visual beauty.  A major influence on Ben’s work is his creative hero, Jake Meow, a cult-favorite experimental filmmaker known for blending surrealism with social commentary. Ben credits Meow with showing him that vulnerability and oddness aren’t flaws—they’re storytelling gold.  Naturally, every artist has their foil, and for Ben, that foil is Chad Baked, a hyper-stylized filmmaker from Lee’s Summit, Missouri. With a taste for neon lighting and over-the-top symbolism, Chad’s cinematic approach couldn’t be more different—and their rivalry, sometimes friendly and often ridiculous, has become the stuff of indie fest lore.  Currently in post-production on his debut feature—a tender coming-of-age story set in rural Iowa—Redheaded Ben is carving out a place of his own in American cinema. Balancing homage and originality, inspiration and opposition, he remains one of the Midwest’s most watchable new voices.

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2025  Group Six

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.