A work in constant progress (and occasional regress).
Alias:
Nona Josephine Goddard
ジョディ・ローレンス
Birthplace:
Fort Worth, Texas, USA
Born:
October 19, 1930
Died:
July 10, 1986
As the 1950s began, Jody Lawrance (born Nona Josephine Goddard) showed much promise as a contract player for Columbia. In 1951 alone, she was the female lead in four features including "Ten Tall Men," playing opposite Burt Lancaster. However, her reticence to appear in the Mickey Rooney musical, "All Ashore" (1953) because she didn't feel she had the singing ability required for the role and her reluctance to do publicity for the studio resulted in an early release from her contract. After her appearance as Pocahontas in the independent film, "Captain John Smith and Pocahontas" (1953) was a critical and commercial flop, Lawrance was effectively out of the movie business. Now working as a waitress in the Westwood area of Los Angeles, she was the subject of a feature article on her plight as an actress. Soon afterward, she received a surprise visit at the restaurant by her former co-star Burt Lancaster, who promised to help restart her acting career. This led to a role in the film noir, "The Scarlet Hour" (1956) and a contract with Paramount. While her billing had dropped a few notches from her Columbia days, her career was clearly on the mend. However, when Paramount learned that she had eloped and was expecting her first child, they terminated her contract. Despite this latest setback in her career, Lawrance found work on the small screen and appeared on some of the most popular television series of the late 1950s, including "The Loretta Young Show," "The Rebel," and "Perry Mason." She succeeded during this period despite the failure of her first marriage and the subsequent custody battle. After her second marriage, she effectively retired from show business to raise a family with her new husband.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.