A work in constant progress (and occasional regress).
After working on a number of in house documentaries, he went to Naples with a friend to make their first, essentially amateur film. It won 3 awards (including one in the London international Amateur film festival), so the pair went to Alaska to shoot a second film, a documentary on post glacial species recovery that sold to 15 companies. There followed 20 years as a cameraman, running a production company for 12 of them, and then a freelance with a tendency to shoot films that interested him instead of rather than those that paid the bills. As a result, among other escapades, he helped rescue a dozen steam locomotives from artic Finland, flew in microlights and hot air balloons in Beirut and Bhutan, toured eastern Europe and Russia with a chaotic string orchestra and went to St Lucia for three weeks to shoot a documentary about bananas.
Cinematography:
2025 Inside the walls of York
Director:
2025 Inside the walls of York
???? Images of Naples
Director of Photography:
2024 Galleries of Paris
2025 Inside the walls of York
???? Images of Naples
Location Assistant:
2024 Galleries of Paris
2025 Inside the walls of York
???? Images of Naples
Location Manager:
2024 Galleries of Paris
2025 Inside the walls of York
???? Images of Naples
???? The Mysterious Castles in the Carpathians
Post Production Consulting:
2024 Galleries of Paris
2025 Inside the walls of York
???? Images of Naples
???? The Mysterious Castles in the Carpathians
Storyboard Artist:
2024 Galleries of Paris
2025 Inside the walls of York
???? Images of Naples
???? The Mysterious Castles in the Carpathians
Writers' Assistant:
2024 Galleries of Paris
2025 Inside the walls of York
???? Images of Naples
???? The Mysterious Castles in the Carpathians
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.