A work in constant progress (and occasional regress).
Birthplace:
Paris, Ile-de-France, France
Born:
April 17, 1943
Jean-Pierre Gorin (born 17 April 1943) is a French filmmaker and professor, best known for his work with Nouvelle Vague luminary Jean-Luc Godard, during what is often referred to as Godard's "radical" period. Jean-Pierre Gorin was a student of Louis Althusser, Michel Foucault and Jacques Lacan. He was a radical leftist well before meeting Godard in 1966. Godard relied on some of his discussions with Gorin while writing the script of 1967's La Chinoise. Gorin played a role in making Le Gai Savoir, which was released in 1969. In 1968, Gorin and Godard founded the collective Dziga Vertov Group and together produced a series of overtly political films including Vent d'est (1970), Tout va bien (1972), and Letter to Jane (1972).
Co-Director:
1976 Here and Elsewhere
Director:
1968 Cinétracts
1970 Wind from the East
1971 Struggle in Italy
1971 Vladimir and Rosa
1972 Tout Va Bien
1974 Letter to Jane: An Investigation About a Still
1976 Here and Elsewhere
1980 Poto and Cabengo
1986 Routine Pleasures
1992 Letter to Peter, on Saint François d'Assise by Olivier Messiaen
1992 My Crasy Life
Director of Photography:
1968 Cinétracts
1970 Wind from the East
1971 Struggle in Italy
1971 Vladimir and Rosa
1972 Tout Va Bien
1974 Letter to Jane: An Investigation About a Still
1976 Here and Elsewhere
1980 Poto and Cabengo
1986 Routine Pleasures
1992 Letter to Peter, on Saint François d'Assise by Olivier Messiaen
1992 My Crasy Life
Editor:
1968 Cinétracts
1970 Wind from the East
1971 Struggle in Italy
1971 Vladimir and Rosa
1972 Tout Va Bien
1974 Letter to Jane: An Investigation About a Still
1976 Here and Elsewhere
1980 Poto and Cabengo
1986 Routine Pleasures
1992 Letter to Peter, on Saint François d'Assise by Olivier Messiaen
1992 My Crasy Life
Producer:
1968 Cinétracts
1970 Wind from the East
1971 Struggle in Italy
1971 Vladimir and Rosa
1972 Tout Va Bien
1974 Letter to Jane: An Investigation About a Still
1976 Here and Elsewhere
1980 Poto and Cabengo
1986 Routine Pleasures
1992 Letter to Peter, on Saint François d'Assise by Olivier Messiaen
1992 My Crasy Life
Story:
1968 Cinétracts
1970 Wind from the East
1971 Struggle in Italy
1971 Vladimir and Rosa
1972 Tout Va Bien
1974 Letter to Jane: An Investigation About a Still
1976 Here and Elsewhere
1980 Poto and Cabengo
1986 Routine Pleasures
1992 Letter to Peter, on Saint François d'Assise by Olivier Messiaen
1992 My Crasy Life
1999 Spy Games
Writer:
1968 Cinétracts
1970 Wind from the East
1971 Struggle in Italy
1971 Vladimir and Rosa
1972 Tout Va Bien
1974 Letter to Jane: An Investigation About a Still
1976 Here and Elsewhere
1980 Poto and Cabengo
1986 Routine Pleasures
1992 Letter to Peter, on Saint François d'Assise by Olivier Messiaen
1992 My Crasy Life
1999 Spy Games
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.