Caroline Baron

Birthplace:
USA

Caroline Baron is a Golden Globe winning American film producer and philanthropist. She is best known for producing Mozart in the Jungle (2014), Capote (2005) and Monsoon Wedding (2001). Baron received an Academy Award nomination for producing Capote (2005) and is a member of the Academy of Motion Picture Arts and Sciences.  Caroline Baron founded FilmAid International in 1999, an organization dedicated to helping refugees and other communities around the world through the use of film.  Baron is a professor at NYU's Tisch School of the Arts in the undergraduate film program.  From Wikipedia, the free encyclopedia

Additional information:

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Associate Producer:
1991  Don't Tell Mom the Babysitter's Dead

Co-Executive Producer:
1991  Don't Tell Mom the Babysitter's Dead
2014  A Master Builder

Co-Producer:
1991  Don't Tell Mom the Babysitter's Dead
1992  Crossing the Bridge
1992  The Opposite Sex and How to Live with Them
1993  Indian Summer
1994  The Santa Clause
1997  Addicted to Love
1997  Kama Sutra: A Tale of Love
1999  Flawless
2014  A Master Builder

Executive Producer:
1991  Don't Tell Mom the Babysitter's Dead
1992  Crossing the Bridge
1992  The Opposite Sex and How to Live with Them
1993  Indian Summer
1994  The Santa Clause
1997  Addicted to Love
1997  Ghosts
1997  Kama Sutra: A Tale of Love
1999  Flawless
2012  Being Flynn
2013  Admission
2014  A Master Builder

Producer:
1991  Don't Tell Mom the Babysitter's Dead
1992  Crossing the Bridge
1992  The Opposite Sex and How to Live with Them
1993  Indian Summer
1994  The Santa Clause
1997  Addicted to Love
1997  Ghosts
1997  Kama Sutra: A Tale of Love
1999  Flawless
2001  Monsoon Wedding
2005  Capote
2012  Being Flynn
2013  Admission
2014  A Master Builder
2018  Bel Canto

Production Manager:
1984  The Toxic Avenger
1989  Shag
1991  Don't Tell Mom the Babysitter's Dead
1992  Crossing the Bridge
1992  The Opposite Sex and How to Live with Them
1993  Indian Summer
1994  The Santa Clause
1997  Addicted to Love
1997  Ghosts
1997  Kama Sutra: A Tale of Love
1999  Flawless
2001  Monsoon Wedding
2005  Capote
2012  Being Flynn
2013  Admission
2014  A Master Builder
2018  Bel Canto

Unit Production Manager:
1984  The Toxic Avenger
1989  Shag
1991  Don't Tell Mom the Babysitter's Dead
1992  Crossing the Bridge
1992  The Opposite Sex and How to Live with Them
1993  Indian Summer
1994  The Santa Clause
1997  Addicted to Love
1997  Ghosts
1997  Kama Sutra: A Tale of Love
1999  Flawless
2001  Monsoon Wedding
2005  Capote
2012  Being Flynn
2013  Admission
2014  A Master Builder
2018  Bel Canto

Co-Executive Producer:
2021  Lisey's Story

Executive Producer:
2017  Wormwood
2021  Lisey's Story
2022  Pretty Little Liars: Original Sin
2022  Severance
????  The Beast in Me

Producer:
2014  Mozart in the Jungle
2017  Wormwood
2021  Lisey's Story
2022  Pretty Little Liars: Original Sin
2022  Severance
????  The Beast in Me

About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.