A work in constant progress (and occasional regress).
Birthplace:
Lewisham, London, England, UK
Born:
August 7, 2001
I am 21 years old and I graduated with a First-Class Degree in Film & TV Production in July 2020. Since graduating I have been keen to begin a career in the film and television industry. I am interested in developing skills within all aspects of production. I have recently completed post-production on my University Degree film (which we had to complete independently after our university closed due to the Covid-19 pandemic), in which I took on the roles of Sound Recordist, Sound Editor and Sound Designer. I thoroughly enjoyed creating the Foley in our university’s sound studio, and also creating disturbing atmospheric sound effects with synthesisers and sound effect plugins within Ableton Live. This love of sound design has grown from my passion for music production, which I began learning at the age of 13, and this hobby has given me a wide range of knowledge in producing, mixing, and mastering sound. I also play electric guitar, bass, and keyboard, all of which I engineer directly into my digital audio workstation and manipulate with software plugins. As you will see in my CV, I have undertaken work experience within television production at the London headquarters of Lion Television and also within the studios of Britain’s Got Talent. My introduction to the industry began at the age of just 6 years old, when I had the first of several professional acting roles in film and also television productions. This included being cast as the son of Simon Pegg’s character in the 2007 feature film Run Fat Boy Run. I went on to secure further featured acting roles in various productions, including in all 5 series of CBBC’s Horrible Histories and in a BBC Sitcom role which was based at Elstree Studios, where I spent 6 weeks working on the production and was able to experience a live studio set and how it all works. I loved being on set and became enthused with the environment, watching the crew intently throughout. This was heightened further as I grew older and led to me enrolling in a Creative Media course at college, which strengthened my pursuit of a career that had more scope for creativity. I wanted to work behind the camera in a more practical role and I had no further desire to become an actor. Since my early teenage years, I’ve always enjoyed creating and editing digital media and producing music. My background gave me a real insight and I believe readied me for working in a production company, as I am well-rehearsed in on-set etiquette and the importance of how to behave in a live studio setting. It has also strengthened my confidence and communication skills to a point where I truly believe I could be a valued member of a production team. A trainee role will allow me to develop these skills further and solidify the foundations on which I will build my future career
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.