A work in constant progress (and occasional regress).
Alias:
Virginia McSweeney
Birthplace:
Chicago, Illinois, USA
Born:
June 10, 1898
Died:
September 24, 1968
From Wikipedia Virginia Valli (June 10, 1898 – September 24, 1968) was an American stage and film actress whose motion picture career started in the silent film era and lasted until the beginning of the sound film era of the 1930s. Born Virginia McSweeney in Chicago, Illinois, she got her acting start in Milwaukee with a stock company. She also did some film work with Essanay Studios in her hometown of Chicago, starting in 1916. Valli continued to appear in films throughout the 1920s. She was an established star at the Universal studio by the mid-1920s. In 1924 she was the female lead in King Vidor's Southern Gothic Wild Oranges, a film now being seen after several decades of film vault obscurity. She also appeared in the romantic comedy, Every Woman's Life, about "the man she could have married, the man she should have married and the man she DID marry." She made the bulk of her films between 1924 and 1927 including Alfred Hitchcock's debut feature, The Pleasure Garden, Paid To Love (1927), with William Powell, and Evening Clothes (1927), which featured Adolphe Menjou. In 1925 Valli performed in The Man Who Found Himself with Thomas Meighan. The production was made at a Long Island, New York studio. Her first sound picture was The Isle of Lost Ships in 1929, but her film career would not last much longer due to declining fame. Unable to find a suitable studio, she quit films after making the quickie Night Life in Reno, in 1931. Valli was first married to George Lamson and the two shared a small bungalow in Hollywood, in close proximity to the Hollywood Hotel. In 1931, she married her second husband, actor Charles Farrell, to whom she remained married until her death. They moved to Palm Springs, where she was a social fixture for many years. She suffered a stroke in 1966, and died two years later, aged 70, in Palm Springs, California. She was buried in the Welwood Murray Cemetery of that city.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.