A work in constant progress (and occasional regress).
Birthplace:
Roma, Italy
Born:
June 16, 1938
Sergio Salvati is an Italian cinematographer. His father, Aldofo Salvati, was a key grip in the early days of Italian cinema, and through his father's contacts Sergio began his career developing negatives in a small photographic laboratory in Rome. In 1956, his father was working with Enzo Serafin, who asked Sergio to work with him as camera assistant on Raw Wind in Eden starring Esther Williams and Jeff Chandler. Many other films shot in Italy would follow, both cult classics and commercial cinema.
Assistant Camera:
1960 The Loves of Hercules
1965 The Possessed
1966 The Witch
1967 Anyone Can Play
1968 I Protect Myself Against My Enemies
Camera Operator:
1960 The Loves of Hercules
1965 The Possessed
1966 The Witch
1967 Anyone Can Play
1968 I Protect Myself Against My Enemies
1970 Medea
1970 Metello
Cinematography:
1960 The Loves of Hercules
1965 The Possessed
1966 The Witch
1967 Anyone Can Play
1968 I Protect Myself Against My Enemies
1970 Medea
1970 Metello
1975 Four of the Apocalypse
1978 Silver Saddle
1979 Hello Nì!
1983 Thunder
1990 Christmas Vacation '90
Director of Photography:
1960 The Loves of Hercules
1965 The Possessed
1966 The Witch
1967 Anyone Can Play
1968 I Protect Myself Against My Enemies
1970 Medea
1970 Metello
1971 Desert of Fire
1973 My Name Is Nobody
1975 Four of the Apocalypse
1975 Il cav. Costante Nicosia demoniaco, ovvero Dracula in Brianza
1975 Piange… il telefono
1976 Il maestro di violino
1977 The Psychic
1977 Von Buttiglione Sturmtruppenführer
1978 Silver Saddle
1979 Dr. Jekyll Likes Them Hot
1979 Hello Nì!
1979 Zombie Flesh Eaters
1980 City of the Living Dead
1980 Contraband
1981 The Beyond
1981 The Black Cat
1981 The House by the Cemetery
1982 1990: The Bronx Warriors
1983 Thunder
1986 Crawlspace
1987 Ghoulies II
1988 Catacombs
1988 Cellar Dweller
1988 Spellcaster
1989 Puppet Master
1990 Beyond Kilimanjaro, Across the River of Blood
1990 Christmas Vacation '90
1991 Christmas Vacation '91
1991 Il conte Max
1992 Nineties
1992 Ricky & Barabba
1995 Rome, November 12, 1994
1997 Banzai
1997 The Wax Mask
First Assistant Camera:
1960 The Loves of Hercules
1965 The Possessed
1966 The Good, the Bad and the Ugly
1966 The Witch
1967 Anyone Can Play
1968 I Protect Myself Against My Enemies
1970 Medea
1970 Metello
1971 Desert of Fire
1973 My Name Is Nobody
1975 Four of the Apocalypse
1975 Il cav. Costante Nicosia demoniaco, ovvero Dracula in Brianza
1975 Piange… il telefono
1976 Il maestro di violino
1977 The Psychic
1977 Von Buttiglione Sturmtruppenführer
1978 Silver Saddle
1979 Dr. Jekyll Likes Them Hot
1979 Hello Nì!
1979 Zombie Flesh Eaters
1980 City of the Living Dead
1980 Contraband
1981 The Beyond
1981 The Black Cat
1981 The House by the Cemetery
1982 1990: The Bronx Warriors
1983 Thunder
1986 Crawlspace
1987 Ghoulies II
1988 Catacombs
1988 Cellar Dweller
1988 Spellcaster
1989 Puppet Master
1990 Beyond Kilimanjaro, Across the River of Blood
1990 Christmas Vacation '90
1991 Christmas Vacation '91
1991 Il conte Max
1992 Nineties
1992 Ricky & Barabba
1995 Rome, November 12, 1994
1997 Banzai
1997 The Wax Mask
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.