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Zhenis Omarov (b. 1997)

Alias:
Zheka Fatbelly
Жеңіс Омаров

Birthplace:
Taraz, Kazakhstan

Born:
May 8, 1997

Biography from TheMovieDB

Zhenis Omarov was born in Taraz, Zhambyl Region, and studied at School No. 24 before continuing his education at Tole Bi Gymnasium No. 8. Later, he moved to Almaty, where he played for a KVN team for some time. In Almaty, he studied at the University of Management. Omarov gained popularity through his comedic video clips on Instagram, amassing over 3.2 million followers on his page by 2016. He is considered one of Kazakhstan's most popular bloggers. Since 2016, he has started acting in films. He appeared in Akan Satayev’s *Alangdar* (2016), Askar Bisembin’s *Nauryz* (2017), Edil Amandyk’s *Diary of Smart Women* (2019), and *Q-Jeri* (2019). Since 2018, he has recorded several rap and hip-hop songs, including *F.A.T.*, *Bud' so mnoy*, *Razdevaysya*, *Vkusnaya*, *Povelasy*, *Geteroseksual*, *Supruga i suprug*, *Ne naydu*, and *Magiya*. He also appeared in the music video for the song *Shymkenttegi kyzdary zyn*. In September 2016, Omarov launched his own restaurant chain in Almaty. By mid-2019, he had opened more than 20 restaurants across Kazakhstan.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.