A work in constant progress (and occasional regress).
Birthplace:
South Korea
Born:
January 17, 1997
Huiju Park is a documentary filmmaker based in London and Seoul, whose work deeply explores the intersection of personal experience and broader societal issues. Her films are inspired by her close connection to the world around her, with a strong focus on feminism. Huiju often appears as a character within her documentaries, blending her own narrative with those of her subjects to create a dialogue between her films and the audience. This style has become her hallmark, allowing her to craft films that offer a mirror to society. After years of making personal documentaries that delved into topics like cancer, sexual trauma, and domestic violence, she turned her lens outward, extending the courage and resilience she found in her own experiences to empower new voices and perspectives. Huiju’s recent works, Rewinding Dominoes (2024) has been nominated for Directing Award at Watersprite Film Festival 2025, and Bitter Cells (2023), was awarded Korean Competition Jury Special Mention at DMZ International Documentary Film Festival. Her latest film, Welcome Home Freckles (2025), has also garnered attention internationally and has been selected for Documentary Short Competition as a World Premiere at SXSW Film & TV Festival 2025.
Animation:
2025 Rewinding Dominoes
Director:
2024 Bitter Cells
2025 Rewinding Dominoes
2025 Welcome Home Freckles
Director of Photography:
2024 Bitter Cells
2025 Rewinding Dominoes
2025 Welcome Home Freckles
Producer:
2024 Bitter Cells
2025 Rewinding Dominoes
2025 Welcome Home Freckles
Writer:
2024 Bitter Cells
2025 Rewinding Dominoes
2025 Welcome Home Freckles
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.