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Gilles De Schryver (b. 1984)

Alias:
Gilles De Schrijver
Gilles Deschryver
Gilles de Schryver

Born:
December 12, 1984

Biography from TheMovieDB

Gilles De Schryver (December 12, 1984) is a Belgian film, TV and theater actor, writer and producer.  Graduated in 2009 as a master in drama at the Hogeschool Gent Conservatorium. Is perfectly bilingual (Dutch and French). He played in French-language productions for the Théâtre National and the Royal Mint Theater. The Schryver was until 2016 together with Yahya Terryn artistic director of the Ghent theater company 'the KIP', for which he played, wrote and directed. In the KIP productions he was shown inside and outside Europe in Dutch, English and French. Since the reopening of the KIP in 2017, De Schryver is once again a freelance theater maker and player. He also writes and produces film and television through his production house De Wereldvrede, which he runs with director Gilles Coulier. He was, for example, a producer of, among others, the Bevergem success series and the Cargo film.  From Wikipedia, the free encyclopedia

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Additional information:

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Film Performances

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Film Production

Producer:
2020  Stephanie
2024  Holy Rosita
2024  Julie Keeps Quiet

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TV Performances

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TV Production

Creator:
2020  Albatross

Executive Producer:
2015  Bevergem
2020  Albatross

Producer:
2015  Bevergem
2020  Albatross
2022  Roomies

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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