A work in constant progress (and occasional regress).
Birthplace:
Nîmes, France
Born:
July 9, 2004
Yanis Prone (born 9 July 2004) is a young French filmmaker in the making. Currently studying in a film school, he is trained at the different stages of audiovisual creation and multiplies experiences on sets, especially as a decorator. In December 2024, he goes behind the camera to make his first short film, "Demain c'est Déjà Hier". Through this first production, Yanis affirms a singular sensitivity and a desire to propose a cinema that is both poetic and rooted in reality.
Director:
2024 Tomorrow is Already Yesterday
2025 Against Time
2025 Somewhere is Always Elsewhere
Editor:
2024 Tomorrow is Already Yesterday
2025 Against Time
2025 Last Spark
2025 Mirage
2025 Somewhere is Always Elsewhere
2025 The Extra
Executive Producer:
2024 Tomorrow is Already Yesterday
2025 Against Time
2025 Last Spark
2025 Mirage
2025 Somewhere is Always Elsewhere
2025 The Extra
Machinist:
2024 Tomorrow is Already Yesterday
2025 Against Time
2025 Diplomatic Chess
2025 Last Spark
2025 Mirage
2025 Somewhere is Always Elsewhere
2025 The Extra
Production Design:
2024 Tomorrow is Already Yesterday
2025 Against Time
2025 Diplomatic Chess
2025 Last Spark
2025 Mirage
2025 Somewhere is Always Elsewhere
2025 The Extra
Writer:
2024 Tomorrow is Already Yesterday
2025 Against Time
2025 Diplomatic Chess
2025 Last Spark
2025 Mirage
2025 Somewhere is Always Elsewhere
2025 The Extra
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.