A work in constant progress (and occasional regress).
Birthplace:
New York City, New York
Born:
May 20, 1920
Died:
January 27, 1996
Herman Buchman, makeup artist, author, educator, lecturer and World War II veteran, was born May 20, 1920. "Bucky," as he was nicknamed, attended school in New York City and completed a course in beauty culture at Paul's Hairdressing Academy of New York in December 1939. He received a B. S. degree from Empire State College of the State University of New York (SUNY) in 1975 and was awarded a Ph. D. from the Union for Experimenting Colleges and Universities in Ohio in 1977. Originally aspiring to become a painter, he was drawn to the art of makeup as a means of rising out of the poverty of the Great Depression. In 1941, he moved to California to try to break into the film industry. He was unsuccessful and returned to New York. He was drafted and served in the U.S. Army during World War II in the 294th Combat Engineer Battalion, as part of the D-Day invasion. After the war, he came back to New York and became a charter member of Local 798-Makeup and Hair Stylists-of the International Alliance of Theatrical Stage Employees (IATSE). He later served in various capacities for Local 798. Herman Buchman was makeup director on numerous Broadway productions, such as The Duchess of Malfi by John Webster, for which he transformed the African-American actor Canada Lee into a white character. Other Broadway productions include Finian's Rainbow, Jenny Kissed Me, The Bird Cage, Crime and Punishment, Silk Stockings, and Galileo. His film credits include The Joe Louis Story, Patterns, Twelve Angry Men, The Miracle Worker, Happy Anniversary, Something Wild, Edge of the City, Long Day's Journey into Night, The Incident, Born to Win, The Night They Raided Minsky's, Within Man's Power and Public Enemy Number One. e also worked as a makeup artist during the early days of television, on programs such as Playhouse 90, Studio One and the original Buck Rogers. Other television credits include game shows such as Hollywood Squares, and soap operas including All My Children, One Life to Live and Ryan's Hope. He worked, as well, for the ABC and CBS television networks on various commercial and industrial projects. For the New York City Opera, he was Director of Makeup and Wigs from 1981 to 1986. Herman Buchman wrote two books: Stage Makeup< (1971) and Film and Television Makeup (1973), both of which became standard texts in the field. As an educator, Herman Buchman taught makeup at the American Theatre Wing from 1946 to 1953, at the Neighborhood Playhouse from 1948 to 1950, the Juilliard School of Music (Opera Division) from 1950 to 1952, and in Juilliard's Drama Division from 1974 to 1979. He also taught at the American Academy of Dramatic Arts from 1950 to 1955. He was a full professor of Theater Arts at SUNY College at Purchase from 1971 to approximately 1981. He was on the faculty of Pace University Department of Speech and Drama from 1971 to 1981, as well as at the School of Visual Arts from 1975 to 1981. At City College of New York, he was an Artist in Residence from 1979 to 1980 and served as a consultant to the New York State Department of Education. He was married to Dian [sic] Dincin and they later divorced. They had one daughter, Caitlin. He retired in 1986 and moved from New York City to Santa Fe, New Mexico. He died of cancer on January 27, 1996 at the age of 75.
Makeup Artist:
1956 Patterns
1957 12 Angry Men
1961 Something Wild
1962 Long Day's Journey Into Night
1962 The Miracle Worker
1967 The Incident
1971 The Panic in Needle Park
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.