A work in constant progress (and occasional regress).
Alias:
Evan Renshaw
Fred Hampton
Heffey von Hampton
Jack Barnes
Jake Barnes
John Goff
John Grant
Noel Lyons
Tom Reece
Born:
May 24, 1939
John F. Goff rates highly as an extremely prolific, versatile and shamefully underrated jack of all trades in the delightfully down'n'dirty annals of 70s Grade B exploitation cinema. He was born on May 24 and was raised on the Gulf Coast of Mississippi in the small town of Kreole. Moreover, John attended Mississippi Southern College on a scholarship. Big and burly, with gray hair, a gentle twangy voice, and an engagingly low-key manner, Goff bears a striking resemblance to a beefy Hal Holbrook. John decided to forsake a promising athletic career to pursue acting instead while attending college. He started acting in summer stock stage theater productions and wrote movie reviews for both "Variety" and "The Hollywood Reporter" prior to becoming involved with the film business. Among Goff's most memorable roles are one of Ralph Meeker's vicious flunkies in the brutal revenge potboiler "Johnny Firecloud," Millie Perkin's vile abusive and alcoholic sea captain father in the deeply disturbing "The Witch Who Came from the Sea," an excitable railroad worker in the nifty sci-fi item "The Alpha Incident," a helpful psychiatrist in Al Adamson's "Nurse Sherri," the Nashville music producer who gets punched in the mouth by Gary Busey in "The Buddy Holly Story," a redneck hunter in "The Capture of Bigfoot," a doomed fisherman in John Carpenter's splendidly spooky "The Fog," a sleazy lawyer in "Maniac Cop," a sarcastic police psychiatrist in "Relentless" (Goff reprised this part in the first sequel), the arrogant alien at the newsstand who's rude to Roddy Piper in "They Live," and Tracy Griffith's weary rancher dad in "Skeeter." Goff has sizable supporting roles in the first two notoriously nasty "Ilsa" pictures: he's the Nazi prison camp guard who gets his throat cut wide open in the original and an oil sheik in the second one. Goff has done guest spots on the TV shows "L.A. Law," "The Dukes of Hazzard," and "The Big Valley." Moreover, Goff and his longtime best buddy George "Buck" Flower appeared in dozens of enjoyably trashy movies together; they even play brothers in both "Berserker" and "The Devil and Leroy Bassett." The dynamic drive-in flick duo of Goff and Flower collaborated on the scripts for "Death Falls," "In Search of A Golden Sky," "Joyride to Nowhere," "Drive-In Massacre," and "Teenage Seductress." Goff has co-written screenplays for the Matt Cimber features "Fake-Out," "Butterfly," "A Time to Die," "Hundra," and the recent "Miriam." Goff often has small roles in Cimber's movies as well. Goff also co-wrote the script for William Lustig's entertaining action romp "Hit List" and pops up in a small part as a prosecuting attorney. In addition to his substantial acting and writing credits, John F. Goff has worked as a grip on two Cimber films and handled second unit director chores on both "My Boys Are Good Boys" and "Bad Georgia Road." - IMDb Mini Biography By: woodyanders
Additional Dialogue:
1979 The Capture of Bigfoot
Assistant Director:
1977 Bad Georgia Road
1978 My Boys Are Good Boys
1979 The Capture of Bigfoot
Screenplay:
1975 Teenage Seductress
1976 C.B. Hustlers
1976 Drive-In Massacre
1977 Bad Georgia Road
1978 My Boys Are Good Boys
1979 The Capture of Bigfoot
1982 A Time to Die
1982 Butterfly
1982 Fake-Out
1989 Hit List
Writer:
1975 Teenage Seductress
1976 C.B. Hustlers
1976 Drive-In Massacre
1977 Bad Georgia Road
1977 Joyride to Nowhere
1978 My Boys Are Good Boys
1979 The Capture of Bigfoot
1982 A Time to Die
1982 Butterfly
1982 Fake-Out
1983 Hundra
1984 In Search of a Golden Sky
1985 Rigged
1986 The Night Stalker
1987 Distortions
1988 Deadly Intent
1989 Hit List
1991 Death Falls
1995 Takin' It Off Out West
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.