A work in constant progress (and occasional regress).
Birthplace:
New York, New York
Born:
February 29, 1940
Died:
June 29, 2005
Although the premise of 12 Angry Men (1957) revolves around the 12 characters from the jury who deliberate whether the accused is guilty or not guilty in the murder case that surrounds the story, the actor playing the accused should be considered the main figure or at least the one we are concerned the most. Although the premise of 12 Angry Men (1957) revolves around the 12 characters from the jury who deliberate whether the accused is guilty or not guilty in the murder case that surrounds the story, the actor playing the accused should be considered the main figure or at least the one we are concerned the most. In his silent and brief moment where the camera shows him from a slight distance, John Savoca convinces audiences with his helpless expression while being accused of murder in what would become an important trial where his fate will be decided by 12 unknown. But his expression can also make viewers think he's hiding something, maybe he's distant and somewhat cold. With that brief moment, it's up to viewers (just as the jurors) to decide with that little exposition of the man to determine if he's the killer or not. Obvious that as the movie progresses facts and more facts are thrown about the case, and our memory has to go back in imagine the possibilities when it comes to the fate of the accused. Sadly, Savoca never returned to the screen and nothing is known about him or his whereabouts after his appearance in the classic film.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.