A work in constant progress (and occasional regress).
Alias:
Elena Soares
Elena Soárez
Birthplace:
Rio de Janeiro, Rio de Janeiro, Brazil
Born:
January 1, 1965
Born in Rio de Janeiro in 1965, Elena Soárez is one of the most important writers of Brazilian cinema today. Elena Soárez holds a degree in economics from PUC; with a master's degree in social anthropology from UFRJ. His debut as a screenwriter was at the invitation of filmmaker Andrucha Waddingotn, who became a screenwriter in the following films: Twin (1999), adapted from Nelson Rodrigues; the award-winning Eu tu eles (2000), a film that took part in the "A Certain Look" show at the Cannes Film Festival and whose screenplay was developed at the Screenwriters Laboratory at the Sundance Film Festival.
Associate Producer:
1999 Twins
Screenplay:
1999 Twins
2004 Redeemer
2007 City of Men
2012 Xingu
Screenstory:
1999 Twins
2004 Redeemer
2005 The House of Sand
2007 City of Men
2012 Xingu
Script:
1999 Twins
2004 Redeemer
2005 The House of Sand
2007 City of Men
2008 Slightly Out of Tune
2012 Xingu
Writer:
1999 Twins
2000 Me, You, Them
2003 Diary of a Provincial Girl
2004 Redeemer
2005 The House of Sand
2007 Camila Jam
2007 City of Men
2008 Slightly Out of Tune
2012 Father’s Chair
2012 Xingu
2014 Rio, I Love You
???? 100 Days
Creator:
2017 Treze Dias Longe do Sol
2018 The Mechanism
Screenplay:
2006 Antonia
2017 Treze Dias Longe do Sol
2018 The Mechanism
Series Writer:
2006 Antonia
2017 Treze Dias Longe do Sol
2018 The Mechanism
Writer:
2002 City of Men
2006 Antonia
2017 Treze Dias Longe do Sol
2018 The Mechanism
2025 Praia dos Ossos
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.