Paul Bonnenfant (b. 1938)

Born:
January 1, 1938

Paul Bonnenfant is a former research director at the CNRS, associate researcher at IREMAM and CEFREPA. Also a photographer and Pyrenean climber, he achieved many firsts in the Pyrenees, some of which with Paul Mortier, Jean and Pierre Ravier and other local climbers.  Preparing a degree in sociology at the Faculty of Letters in Bordeaux at the end of the 1950s, he studied during the Algerian War of Independence, which was, at that time, "the" subject that everyone was talking about in universities. At the end of his degree, in 1960, one of his professors mentioned the wish of the Compagnie française des pétroles (Algeria) to study the impact of its establishment on rural and Bedouin life in the Sahara. The company was looking for a student who, under the supervision of the professor, could conduct this study. PB was immediately attracted by the idea of ​​going to Algeria as a civilian, at a time when hundreds of thousands of young French people of his age were leaving as soldiers. He was, in fact, seduced by the project of taking a "civilian" look at the various transformations that the arrival of the oil companies had brought about.  Accomplished in a particularly difficult political and social atmosphere, this stay in the Sahara was nevertheless decisive. Paul Bonnenfant's passion for the culture of the Arab and Muslim world then took root. Raised in strict Catholicism, he was fascinated by the idea of ​​discovering another monotheistic religion, Islam. The fact that this Islam developed in particular around the common cultural heritage of the Mediterranean also seduced him, through the encounter of the Semitic heritage with the Greek, Roman and Byzantine heritages. A final reason, but not the least, was the taste for wide open spaces. He was passionate about this civilization that was new to him and decided to specialize in the sociology of the current Arab world. He then began learning Arabic, first in Bordeaux, then in Lebanon and Tunisia.  Paul Bonnenfant studied the relationships between housing and social structures, focusing on field research in the Arabian Peninsula, a region in which he is a specialist. Since 1990, he has been particularly interested in the study of vernacular architecture in this region, because it is both beautiful and very threatened by economic developments. Particular interest is given to Yemen, whose immensely rich historical and cultural heritage is in great danger.  He has published six books on three cities classified as UNESCO World Heritage Sites, Sanaa (1987, 1989, 1995), Zabid (2004, 2008) and Jeddah (2019). He is currently preparing a book on domestic decoration in the cities of Hadramawt. After having bequeathed his specialist library, PB decided in April 2011 to gradually donate his photographic archives to the MMSH media library.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.