A work in constant progress (and occasional regress).
Alias:
Thiam Aïssatou
Birthplace:
Dakar, Senegal
Born:
May 1, 1966
Born in Dakar (Senegal), to a Martinican mother and a Senegalese father, Aïssatou Thiam grew up in Marseille. After starting out in modeling which gave her the opportunity to work with couturiers such as Yves Saint Laurent, Thierry Mugler, Paco Rabanne, Dior, Givenchy, among others, she also began her career as an actress in theater and cinema. and on television. Her training with Blanche Salant (studio actor), Isabelle Sadoyan (classical theater), the Herbert Bergoff Studio (in New York where she lived for 4 years), and Jean-Louis Jacopin (contemporary theater) gave her made it possible to acquire multiple knowledge of the theatrical tool. We saw her in the cinema in “L’Irrésolu” alongside Barbara Schultz, Sandrine Kimberlain, Vincent Lindon, “Mauvais Genre” by Laurent Bénégui with Monica Bellucci, “Bimboland” by Ariel Zeitoun with Gérard Depardieu & Dany Boon, “Le Genre Humain” by Claude Lelouch and more recently in “Le Missionnaire” , produced by Luc Besson alongside Jean-Marie Bigard. In the theater during the Avignon “In” festival and in several units and series for television, including “Les Monos” dealing with the problems of young adolescents as well as the famous “Tropiques amers” , a series on slavery for France Televisions seen by more than 5 million viewers! Her pronounced taste for all kinds of sports (rafting, climbing, scuba diving (qualified), water and alpine skiing, Thai boxing, modern jazz, horse riding) makes her a dynamic person with a little “breakage” side. -neck " ! She had the pleasure of leading theater workshops with a young audience, discovered her teaching skills and teaches in a high school of design studies to around a hundred students. Following the release of her book: “Un Grand Éclat de Rire” by Pascal Galodé Éditeur (editions le Cherche Midi) in 2008, an autobiography retracing her journey, she began writing alongside Marc Tardieu. As part of the SunArt festival she wrote a text: “Identity” and performed it in the show “Masques”. She created the main role in a play written by Alain Foix “Marilin”, in “Rue Saint Denis” and had the pleasure of playing alongside Jean-claude Drouot, among others in 2011. Since 2011 she has performed at the theater, in the play directed by Michael Batz: “Working Girls” and whose text “The Last Little Girl” is by Kay Ashead, it is a succession of 4 monologues, new dates to come … Recently she played in a triumphant play: “Ladies Night” directed by Thierry Lavat, in the role of Glenda, and in 2014, in her first film in English: “Keeping Silent”, by Mya James, in the role principal of Dara. More recently, in the role of mother, Barbara, alongside Victoria Abril, in season 8 of “Clem”, for TF1. Also, tssdl is a nerd and has a sad life :(
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.