A work in constant progress (and occasional regress).
Alias:
Ebenezer Ebie Eferobor
Ebenezer Eferobor is a highly accomplished Composer and Sound Designer based in Los Angeles, with roots in Nigeria. His professional journey spans various facets of the music and film industry, reflecting a diverse skill set and a commitment to excellence. Educated in Music Production and Engineering, Music Composition, and Sound Design, Ebenezer's academic background laid the foundation for his multifaceted career. He initially honed his craft as a musician, gradually transitioning into roles as an audio engineer, sound mixer, sound designer, and composer for film. Ebenezer's work has left an indelible mark on both the American and British film scenes, with his compositions and sound designs featured at prestigious festivals including the Hollywood Florida Film Festival, New York Short Film Festival, Uplift Film Festival, Independent Shorts Awards, Open Gate International Film Festival, Bridgeport Film Festival, Central Florida Film Festival, and Montage Film Festival, among others. His contributions have earned him recognition and acclaim, with notable awards such as the Bronze award for best original score at the Independent Shorts Awards 2023, Best Sound Design at the Uplift Film Festival, and the prestigious Jon Vickers Film Scoring Award. Ebenezer's talents extend beyond his professional achievements; he has also been featured in prominent magazines such as Shoutout LA, Canvas Rebel, and LA Voyage, further solidifying his reputation as a leading figure in the industry. With a proven track record of success and a dedication to pushing the boundaries of music and sound in film, Ebenezer Eferobor continues to captivate audiences and inspire fellow creatives with his innovative work.
Dialogue Editor:
2023 The Biting Tree
Sound Designer:
2023 The Biting Tree
Sound Supervisor:
2023 The Biting Tree
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.