Home

Milan Cools (b. 1996)

Gallery Unavailable

Birthplace:
Bornem, Antwerp, Flanders, Belgium

Born:
November 14, 1996

Biography from TheMovieDB

Milan Cools is a Belgian videographer and editor, best known for collaborating with YouTuber and internet personality Average Rob.  After completing his secondary education in Drama at the H. Pius X-Instituut in Antwerp, he pursued Film, TV, and Video studies at NARAFI in Brussels (2014–2018). He later specialized in Visual Effects at Middlesex University in London. During his studies, Milan gained experience in multi-camera productions for live concerts, festivals, and sports events, working on projects for bands like Bastille and events like Tomorrowland.  In 2021, he joined Average Rob and his brother Arno the Kid, filming and editing YouTube videos focused on extreme sports and Belgian culture. His work has earned multiple awards, including Best Videographer at De Jamies 2022 and Best Online Video of the Year in 2024 for The Day I Became an IRONMAN. In 2023, their web series also won the Online Video Series award at Kastaars!.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

Film Production

Camera Operator:
2025  The Toughest Footrace on Earth

Director:
2021  Esta Vida
2021  FOCUS
2025  The Toughest Footrace on Earth

Director of Photography:
2021  Esta Vida
2021  FOCUS
2025  The Toughest Footrace on Earth

Editor:
2021  Esta Vida
2021  FOCUS
2025  The Toughest Footrace on Earth

Writer:
2021  Esta Vida
2021  FOCUS
2025  The Toughest Footrace on Earth

Click the heading above to show or hide the list.

TV Production

Camera Operator:
2023  ROAD TO IRONMAN

Cinematography:
2023  ROAD TO IRONMAN
2025  Marathon Des Sables

Editor:
2023  ROAD TO IRONMAN
2025  Marathon Des Sables

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.