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Adolf Schlyssleder

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Alias:
Adolph Schussleder

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Film Production

Assistant Director:
1947  Der Millionär
1949  Verspieltes Leben
1951  Die Alm an der Grenze
1955  Lola Montès
1956  Die fröhliche Wallfahrt
1958  Das Posthaus im Schwarzwald
1958  Zauber der Montur
1959  Ein Sommer, den man nie vergißt

Director:
1942  Der Hochtourist
1947  Der Millionär
1949  Verspieltes Leben
1951  Die Alm an der Grenze
1955  Lola Montès
1956  Die fröhliche Wallfahrt
1958  Das Posthaus im Schwarzwald
1958  Zauber der Montur
1959  Ein Sommer, den man nie vergißt

Editor:
1942  Der Hochtourist
1947  Between Yesterday and Tomorrow
1947  Der Millionär
1948  Das verlorene Gesicht
1949  Verspieltes Leben
1950  Schuß um Mitternacht
1951  Die Alm an der Grenze
1953  Der Klosterjäger
1955  Lola Montès
1956  Die fröhliche Wallfahrt
1957  Zwei Bayern im Harem
1958  Countess Mariza
1958  Das Posthaus im Schwarzwald
1958  Mikosch, der Stolz der Kompanie
1958  Zauber der Montur
1959  Ein Sommer, den man nie vergißt
1961  Der Hochtourist
1961  Hamlet, Prince of Denmark
1962  Sein bester Freund
1964  Full Hearts and Empty Pockets
1973  The Flying Classroom
1974  When Mother Went on Strike
1978  The Hussy

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.