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Lothar Brühne (1900-1958)

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Birthplace:
Berlin, Germany

Born:
July 19, 1900

Died:
December 12, 1958

Additional information:

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Film Production

Music:
1933  Die Goldgrube
1938  Die Nacht der Entscheidung
1938  Five Millions Seek an Heir
1939  Der Stammbaum des Dr. Pistorius
1940  Enemies
1941  The Comedians
1943  Damals
1943  Romance in a Minor Key
1943  Tonelli
1943  Weatherbeaten Melody
1944  Dir zuliebe
1944  Komm zu mir zurück
1944  Orient-Express
1949  Comedy Times Three
1950  Regimentsmusik
1954  Little Friends
1954  Regina Amstetten

Original Music Composer:
1933  Die Goldgrube
1936  Bantu weiss nichts von Europa
1937  La Habanera
1937  Lady Killer
1938  Der Blaufuchs
1938  Die Nacht der Entscheidung
1938  Five Millions Seek an Heir
1938  Monga ma loba - Der Götterberg
1939  Der Stammbaum des Dr. Pistorius
1940  Enemies
1941  The Comedians
1943  Damals
1943  Romance in a Minor Key
1943  Tonelli
1943  Weatherbeaten Melody
1944  Dir zuliebe
1944  Komm zu mir zurück
1944  Orient-Express
1948  Das verlorene Gesicht
1948  Die kupferne Hochzeit
1949  Comedy Times Three
1949  Liebesheirat
1949  Philine
1950  Dreizehn unter einem Hut
1950  Regimentsmusik
1951  Die Tat des Anderen
1952  Until we meet again
1954  Little Friends
1954  Regina Amstetten
1956  Ein Herz schlägt für Erika
1957  Kleiner Mann - ganz groß

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.