A work in constant progress (and occasional regress).
Alias:
Nich L. Perez
Nich L. Perez is a Filipino-American filmmaker, educator, and collaborator. He creates film grain and pixels through personal human connections, carving narratives with the lens of empathy and community. As the founder and director of the Nonprofit Film Collective, a grassroots group of storytellers, "Nick" transcends traditional boundaries by collaborating with nonprofits, communities, students, and institutions to tell meaningful stories with tangible, real-world, positive impacts. Nich's feature-length film, 'letters to eleanore', offers a poignant exploration of disability and hope. This award-winning documentary, like most of his films, was produced jointly with his university students and is in film festivals. He has taught in various universities, including Grinnell College and St. Mary's University as a Visiting Assistant Professor, where he worked on media projects that tackle complex subjects with sensitivity and insight, utilizing media arts and practice as a powerful tool for advocacy and storytelling. Nich has filmed in more than 50 countries: experiencing a breadth of humanity, interacting through multiple languages, connecting with people from varied cultures and economic backgrounds, and living these experiences with students. With multiple films in the pipeline, Nich continues to push boundaries and challenge perceptions through his work in an ever-evolving media landscape and in both fiction and nonfiction, producing media that captures beauty, inspiration, and authenticity.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.