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Emilie Lowe

Birthplace:
Australia

Biography from TheMovieDB

Emilie began Salt and Honey Productions while she was still studying her screen writing degree at University. She had much success creating independent short films but hoped for the challenge of creating longer narrative pieces. When her work began receiving notable awards she embarked on her feature film journey.  Skilled in writing, directing, acting, colour-grading, cinematography and production deign she has loved all things film since she was making back-yard movies at 6 years old. She employs stylistic visuals, humanistic storytelling and symbolic resonance to create impactful work.  Navigating her struggles with dyslexia, Emilie employs the personal theme of overcoming difficulty into much of her work. She loves to create films which highlight symbolic imagery and have a dream-like aesthetic, while also showcasing Australia’s unique and often hostile natural landscapes. A hands-on film maker, she is known for her ability to adapt to any required production role, and for her hard working attitude, tenacity and love of the craft.

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Additional information:

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Film Performances

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Film Production

Cinematography:
2025  The Canary

Director:
2024  End of the Line
2025  The Canary

Production Design:
2024  End of the Line
2025  The Canary

Writer:
2024  End of the Line
2025  The Canary

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.