A work in constant progress (and occasional regress).
Assistant Editor:
1995 Fall Time
Associate Editor:
1995 Fall Time
1998 The Big Lebowski
Associate Producer:
1995 Fall Time
1998 The Big Lebowski
2007 No Country for Old Men
2008 Burn After Reading
2015 He Named Me Malala
Co-Producer:
1995 Fall Time
1998 The Big Lebowski
2007 No Country for Old Men
2008 Burn After Reading
2015 He Named Me Malala
2018 Destroyer
2019 Seberg
Director:
1995 Fall Time
1998 The Big Lebowski
2001 Bob
2007 No Country for Old Men
2008 Burn After Reading
2015 He Named Me Malala
2018 Destroyer
2019 Seberg
Editor:
1995 Fall Time
1998 The Big Lebowski
2001 Bob
2007 No Country for Old Men
2008 Burn After Reading
2015 He Named Me Malala
2015 We Are Your Friends
2018 Destroyer
2019 Seberg
Executive Producer:
1995 Fall Time
1998 The Big Lebowski
2001 Bob
2007 No Country for Old Men
2008 Burn After Reading
2015 He Named Me Malala
2015 We Are Your Friends
2018 Destroyer
2019 Seberg
Music Supervisor:
1995 Fall Time
1998 The Big Lebowski
2001 Bob
2003 Intolerable Cruelty
2007 No Country for Old Men
2008 Burn After Reading
2015 He Named Me Malala
2015 We Are Your Friends
2018 Destroyer
2019 Seberg
Post Producer:
1995 Fall Time
1998 The Big Lebowski
2001 Bob
2003 Intolerable Cruelty
2007 No Country for Old Men
2008 Burn After Reading
2012 The Road We've Traveled
2015 He Named Me Malala
2015 We Are Your Friends
2018 Destroyer
2019 Seberg
Writer:
1995 Fall Time
1998 The Big Lebowski
2001 Bob
2003 Intolerable Cruelty
2007 No Country for Old Men
2008 Burn After Reading
2012 The Road We've Traveled
2015 He Named Me Malala
2015 We Are Your Friends
2018 Destroyer
2019 Seberg
Co-Producer:
2021 Q: Into the Storm
2022 Black Bird
2024 Sugar
Visual Effects Producer:
2021 Q: Into the Storm
2022 Black Bird
2024 Sugar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.