Lewis Schoenbrun

Alias:
Andrew Lewis
Lewis Schoenburn

Birthplace:
Plainfield, New Jersey, USA

Lewis Andrew Schoenbrun (born September 21, 1958) is an American filmmaker and editor.  Schoenbrun became a fan of director Stanley Kubrick at age nine, when he watched the film 2001: A Space Odyssey. At eleven years old, Schoenbrun shot short films with his father's super 8 film camera, and received his own camera from his parents at the age of thirteen. In the 1970s, during his time at a university, he worked at a PBS station in Atlanta, Georgia, and later spent a year working with Tela Moving Images, a production company in Springfield, Massachusetts. During his time with the production company, he used a Moviola to edit a documentary film about a trip to Kenya, Africa that he went on with a group of aspiring astronomers.  In the late 1980s, Schoenbrun acted as an assistant editor on the films Mystic Pizza and UHF. After directing several direct-to-video films in the 2000s, Schoenbrun and a producer wanted to make a horror adaptation of the comic book hero Spider-Man, starring a female protagonist. In the summer of 2010, having instead chosen to create a parody film of the character the Hulk, Schoenbrun financed and directed the film The Amazing Bulk in Los Angeles, California. He remained in Los Angeles to work on the film's post-production and to shoot the film Aliens vs. Avatars.

Additional information:

The Search Form


Assistant Editor:
1988  Mystic Pizza
1989  UHF

Casting:
1988  Mystic Pizza
1989  UHF
2012  The Amazing Bulk

Director:
1988  Mystic Pizza
1989  UHF
2005  Dr. Chopper
2006  Slaughterhouse Phi: Death Sisters
2007  Queen Cobra
2011  Aliens vs Avatars
2012  The Amazing Bulk
????  Alien Nemesis

Editor:
1988  Mystic Pizza
1989  UHF
1996  Vendetta
1997  Dead Inn
1997  The Mark of Dracula
1997  The Triggerman
1998  Evasive Action
1998  Public Enemy
1999  Hijack
1999  Powerplay
2000  Private Lies
2002  Clubhouse Detectives in Big Trouble
2003  13 Dead Men
2003  Antikiller 2: Antiterror
2003  Clubhouse Detectives in Scavenger Hunt
2003  Ghost Dog: A Detective Tail
2004  Corpses
2004  Scarecrow Gone Wild
2004  The Kids Who Saved Summer
2005  Dr. Chopper
2005  Tower of Blood
2006  Blood Legend
2006  Blood Ranch
2006  Slaughterhouse Phi: Death Sisters
2006  Surveillance
2007  Queen Cobra
2008  Yeti: Curse of the Snow Demon
2011  Aliens vs Avatars
2012  The Amazing Bulk
????  Alien Nemesis

Music Supervisor:
1988  Mystic Pizza
1989  UHF
1996  Vendetta
1997  Dead Inn
1997  The Mark of Dracula
1997  The Triggerman
1998  Evasive Action
1998  Public Enemy
1999  Hijack
1999  Powerplay
2000  Private Lies
2002  Clubhouse Detectives in Big Trouble
2003  13 Dead Men
2003  Antikiller 2: Antiterror
2003  Clubhouse Detectives in Scavenger Hunt
2003  Ghost Dog: A Detective Tail
2004  Corpses
2004  Scarecrow Gone Wild
2004  The Kids Who Saved Summer
2005  Dr. Chopper
2005  Tower of Blood
2006  Axegrinder
2006  Blood Legend
2006  Blood Ranch
2006  Slaughterhouse Phi: Death Sisters
2006  Surveillance
2007  Queen Cobra
2008  Yeti: Curse of the Snow Demon
2011  Aliens vs Avatars
2012  The Amazing Bulk
????  Alien Nemesis

Producer:
1988  Mystic Pizza
1989  UHF
1996  Vendetta
1997  Dead Inn
1997  The Mark of Dracula
1997  The Triggerman
1998  Evasive Action
1998  Public Enemy
1999  Hijack
1999  Powerplay
2000  Private Lies
2002  Clubhouse Detectives in Big Trouble
2003  13 Dead Men
2003  Antikiller 2: Antiterror
2003  Clubhouse Detectives in Scavenger Hunt
2003  Ghost Dog: A Detective Tail
2004  Corpses
2004  Scarecrow Gone Wild
2004  The Kids Who Saved Summer
2005  Dr. Chopper
2005  Tower of Blood
2006  Axegrinder
2006  Blood Legend
2006  Blood Ranch
2006  Slaughterhouse Phi: Death Sisters
2006  Surveillance
2007  Queen Cobra
2008  Yeti: Curse of the Snow Demon
2011  Aliens vs Avatars
2012  The Amazing Bulk
????  Alien Nemesis

Editorial Consultant:
????  Kung Fu Femmes

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.