A work in constant progress (and occasional regress).
Alias:
Анри Агрести
هنري أجريستي
Henri Agresti is a French mountain guide, linguist, filmmaker and teacher at ENSA. With his wife, Isabelle, professor of classics, they formed a high-level mountaineering team to conquer the peaks of the Alps but also around the world and achieved many firsts in the 1970s. They have four children including Blaise Agresti, also a mountaineer and mountain advisor to the General Directorate of the Gendarmerie. Henri Agresti and his wife Isabelle went to Afghanistan twice, in 1966 with Poles, and in 1968 (first entirely French expedition) where they spent more than two months. Two months there, but three and a half months of expedition in total since they went there in 4L, crossing Iran, Iraq, Jordan, Syria, Turkey, Bulgaria, Yugoslavia and Italy! They carried out several firsts, some of which will never be repeated and which gave rise to a film and a 41-page booklet, “Arid Mountains of Wakhan”. In the 1970s, they developed a passion for the mountains of the Hoggar massif in Algeria and opened several routes including the Agresti dihedral, a daring route from the 1970s, opened in around ten days by artificial means. The couple published numerous books and mountain guides and gave numerous conferences throughout their lives.
Cinematography:
1969 Hindou-Kouch 68
1969 Shakhaur 7116m, Face Nord
1977 Denali's Wife
1980 The Gate of Heaven
1995 Salt and Rock
Director:
1969 Hindou-Kouch 68
1969 Shakhaur 7116m, Face Nord
1977 Denali's Wife
1980 The Gate of Heaven
1995 Salt and Rock
Writer:
1969 Hindou-Kouch 68
1969 Shakhaur 7116m, Face Nord
1977 Denali's Wife
1980 The Gate of Heaven
1995 Salt and Rock
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.