A work in constant progress (and occasional regress).
Birthplace:
Berlin, German Empire
Editor:
1931 24 Hours of a Woman's Life
1933 Salon Dora Green
1937 The Sovereign
1938 Tanz auf dem Vulkan
1940 Die letzte Runde
1940 The Star of Rio
1941 Krach im Vorderhaus
1941 Uncle Krüger
1942 The Dismissal
1948 Die Zauberschere
1948 Menschen in Gottes Hand
1948 Stadtmeier und Landmeier
1950 Dreizehn unter einem Hut
1951 Hilfe, ich bin unsichtbar
1951 Professor Nachtfalter
1951 Sensation in San Remo
1952 The Grapes Are Ripe
1953 Die Rose von Stambul
1954 Große Starparade
1954 The Little Czar
1955 Drei Tage Mittelarrest
1955 Three Girls from the Rhine
1956 Johannisnacht
1956 Waldwinter
1957 Witwer mit fünf Töchtern
1958 Escape from Sahara
1958 Grabenplatz 17
1959 Drillinge an Bord
1959 Stalingrad: Dogs, Do You Want to Live Forever?
1960 Darkness Fell on Gotenhafen
1960 The Last Pedestrian
1961 Barbara - Wild wie das Meer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.