A work in constant progress (and occasional regress).
Alias:
Al
Tom
Birthplace:
Iraq
Born:
August 29, 2003
Ali Bakhakh is a filmmaker and creative entrepreneur with roots in Iraq and Scotland. Raised in a challenging environment, Ali discovered his passion for creativity at an early age, using video creation as both a pastime and an escape. At just nine years old, he began creating simple videos, capturing moments with his friends. Ali’s passion for filmmaking took a more serious turn, when a mentor recognized his potential and invited him to work on a professional film set as a second assistant camera (AC). This experience sparked a deeper love for the craft and solidified his ambition to pursue filmmaking. From that point forward, Ali focused on honing his skills, developing a natural talent for editing before expanding into directing and leading projects. Ali’s leadership instincts led him to establish DSCVR, a media production company which led him to working with companies such as the UFC and ONE Championship. While his professional work thrives under DSCVR, Ali also pursues personal projects, such as directing a 22-person crew for a Coronation Street remake. Studying Film Production at the University of Salford has further shaped Ali’s approach, teaching him the complexity and competitiveness of the industry. Undeterred by the challenges, he uses these as motivation to improve with every project. Ali’s filmmaking style is simple yet effective, focusing on clear, cohesive storytelling without unnecessary complications. To date, Ali has directed seven projects, served as first assistant camera (1st AC) on ten productions, vision-mixed two, and script-supervised one. His proudest achievements include working for the UFC and establishing himself as a competent and confident director. Looking to the future, Ali envisions collaborating with major companies across all forms of media, continually pushing himself to excel in every challenge and leave his mark on the industry.
BTS Photographer:
2025 Fragments of Us
Camera Operator:
2022 Creep
2025 Fragments of Us
???? Neighbour
Director:
2022 Creep
2023 A Fighters Path
2024 Procrastination
2024 The Middleman
2025 Fragments of Us
???? Neighbour
???? The Mimic
Director of Photography:
2022 Creep
2023 A Fighters Path
2024 Procrastination
2024 The Middleman
2025 Fragments of Us
???? Neighbour
???? The Mimic
Editor:
2022 Creep
2023 A Fighters Path
2024 Procrastination
2024 The Middleman
2025 Fragments of Us
???? Neighbour
???? The Mimic
Graphic Designer:
2022 Creep
2023 A Fighters Path
2024 Procrastination
2024 The Middleman
2025 Fragments of Us
???? Neighbour
???? The Mimic
Producer:
2022 Creep
2023 A Fighters Path
2024 Procrastination
2024 The Middleman
2025 Fragments of Us
???? Neighbour
???? The Mimic
Screenplay:
2022 Creep
2023 A Fighters Path
2024 Procrastination
2024 The Middleman
2025 Fragments of Us
???? Neighbour
???? The Mimic
Script Supervisor:
2022 Creep
2023 A Fighters Path
2024 Procrastination
2024 The Middleman
2025 Fragments of Us
???? Neighbour
???? The Mimic
Camera Operator:
2023 The Journey
2024 Thai Gyms
Director:
2023 The Journey
2024 Thai Gyms
Editor:
2023 The Journey
2024 Thai Gyms
Producer:
2023 The Journey
2024 Thai Gyms
Sound:
2023 The Journey
2024 Thai Gyms
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.