Ali Bakhakh (b. 2003)

Alias:
Al
Tom

Birthplace:
Iraq

Born:
August 29, 2003

Ali Bakhakh is a filmmaker and creative entrepreneur with roots in Iraq and Scotland. Raised in a challenging environment, Ali discovered his passion for creativity at an early age, using video creation as both a pastime and an escape. At just nine years old, he began creating simple videos, capturing moments with his friends.  Ali’s passion for filmmaking took a more serious turn, when a mentor recognized his potential and invited him to work on a professional film set as a second assistant camera (AC). This experience sparked a deeper love for the craft and solidified his ambition to pursue filmmaking. From that point forward, Ali focused on honing his skills, developing a natural talent for editing before expanding into directing and leading projects.  Ali’s leadership instincts led him to establish DSCVR, a media production company which led him to working with companies such as the UFC and ONE Championship. While his professional work thrives under DSCVR, Ali also pursues personal projects, such as directing a 22-person crew for a Coronation Street remake.  Studying Film Production at the University of Salford has further shaped Ali’s approach, teaching him the complexity and competitiveness of the industry. Undeterred by the challenges, he uses these as motivation to improve with every project. Ali’s filmmaking style is simple yet effective, focusing on clear, cohesive storytelling without unnecessary complications.  To date, Ali has directed seven projects, served as first assistant camera (1st AC) on ten productions, vision-mixed two, and script-supervised one. His proudest achievements include working for the UFC and establishing himself as a competent and confident director.  Looking to the future, Ali envisions collaborating with major companies across all forms of media, continually pushing himself to excel in every challenge and leave his mark on the industry.

Additional information:

The Search Form


BTS Photographer:
2025  Fragments of Us

Camera Operator:
2022  Creep
2025  Fragments of Us
????  Neighbour

Director:
2022  Creep
2023  A Fighters Path
2024  Procrastination
2024  The Middleman
2025  Fragments of Us
????  Neighbour
????  The Mimic

Director of Photography:
2022  Creep
2023  A Fighters Path
2024  Procrastination
2024  The Middleman
2025  Fragments of Us
????  Neighbour
????  The Mimic

Editor:
2022  Creep
2023  A Fighters Path
2024  Procrastination
2024  The Middleman
2025  Fragments of Us
????  Neighbour
????  The Mimic

Graphic Designer:
2022  Creep
2023  A Fighters Path
2024  Procrastination
2024  The Middleman
2025  Fragments of Us
????  Neighbour
????  The Mimic

Producer:
2022  Creep
2023  A Fighters Path
2024  Procrastination
2024  The Middleman
2025  Fragments of Us
????  Neighbour
????  The Mimic

Screenplay:
2022  Creep
2023  A Fighters Path
2024  Procrastination
2024  The Middleman
2025  Fragments of Us
????  Neighbour
????  The Mimic

Script Supervisor:
2022  Creep
2023  A Fighters Path
2024  Procrastination
2024  The Middleman
2025  Fragments of Us
????  Neighbour
????  The Mimic

Camera Operator:
2023  The Journey
2024  Thai Gyms

Director:
2023  The Journey
2024  Thai Gyms

Editor:
2023  The Journey
2024  Thai Gyms

Producer:
2023  The Journey
2024  Thai Gyms

Sound:
2023  The Journey
2024  Thai Gyms

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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