A work in constant progress (and occasional regress).
Birthplace:
St. Louis, Missouri, USA
Born:
February 2, 1882
Died:
May 7, 1967
From Wikipedia Anne Bauchens (February 2, 1882 – May 7, 1967) was an American film editor who is particularly noted for her collaboration over 40 years with the director Cecil B. DeMille. When the Academy Award for Film Editing was created in 1934, Bauchens received one of the three nominations for her editing of Cleopatra. She later won the Academy Award for North West Mounted Police (1940). Bauchens was trained as an editor by DeMille, and shared her first credit with him on the film Carmen. Prior to 1918, DeMille had edited, as well as directed, his films. After Carmen and We Can't Have Everything (1918), Bauchens no longer shared the editing credits with DeMille. She edited DeMille's films for the rest of their long careers, through the 1956 film The Ten Commandments. She was nominated for the Academy Award for Film editing again twice, for The Greatest Show on Earth in 1952 and for The Ten Commandments in 1956. In total, Bauchens' editing is credited on 41 films directed by DeMille, and on 20 films with other directors. Despite her long career and her series of awards, the characterizations of Bauchens as an editor are not invariably flattering. Margaret Booth, another distinguished film editor, has been quoted as saying in 1965 that, "Anne Bauchens is the oldest editor in the business. She was editing for years before I came into the business. DeMille was a bad editor, I thought, and made her look like a bad editor. I think Anne really would have been a good editor, but she had to put up with him––which was something."
Editor:
1915 Carmen
1918 The Squaw Man
1918 Till I Come Back to You
1918 We Can't Have Everything
1919 Male and Female
1920 Something to Think About
1920 Why Change Your Wife?
1921 Fool's Paradise
1921 Forbidden Fruit
1922 Saturday Night
1923 Adam's Rib
1923 The Ten Commandments
1925 The Road to Yesterday
1926 The Volga Boatman
1927 Chicago
1927 The King of Kings
1928 Craig's Wife
1928 The Godless Girl
1929 Dynamite
1930 Lord Byron of Broadway
1930 Madam Satan
1930 This Mad World
1931 Guilty Hands
1931 The Squaw Man
1932 The Beast of the City
1932 The Sign of the Cross
1932 The Wet Parade
1933 Cradle Song
1933 This Day and Age
1934 Cleopatra
1934 Four Frightened People
1935 The Crusades
1936 The Plainsman
1938 Bulldog Drummond in Africa
1938 Hunted Men
1938 Sons of the Legion
1938 The Buccaneer
1939 Television Spy
1939 Union Pacific
1940 North West Mounted Police
1940 Women Without Names
1942 Commandos Strike at Dawn
1942 Reap the Wild Wind
1944 The Story of Dr. Wassell
1945 Love Letters
1947 Unconquered
1949 Samson and Delilah
1952 The Greatest Show on Earth
1956 The Ten Commandments
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.