A work in constant progress (and occasional regress).
Alias:
赵仁辉
Birthplace:
Singapore
Singaporean visual artist Robert Zhao Renhui (b. 1983) works chiefly with photography but often adopts a multi-disciplinary approach, presenting images together with documents and objects in the form of textual and media analysis, video and photography projects. His artistic practice investigates man’s relationship with nature, utilizing convincing narratives to invoke doubts in its audience towards the concept of truth and its portrayal. His works has been exhibited globally, including solo exhibitions in Singapore, China, Japan, Australia, Italy, and U.S.A., as well as participating in various biennales and photo festivals. He represented Singapore in their national pavilion at the 60th Venice Biennale in 2024. Recent exhibitions include 14th Gwangju Biennale, Gwangju, South Korea (2023); The First Beijing Biennale, Beijing (2022); The Forest Institute, Singapore (2022); Busan Biennale: Words at an Exhibition, Busan, South Korea (2020); Singapore Biennale 2019, Singapore (2019); The Lines We Draw, Yalu River Art Museum, Dandong (2019); Effect, Orange County Museum of Art, Los Angeles, U.S.A. (2019); Observe, Experiment, Archive, Sunderland Museum and Winter Garden, London, U.K. (2019); The 9th Asia Pacific Triennial of Contemporary Art, Australia (2018); Taipei Biennial 2018, Taipei (2018); JIWA: Jakarta Biennale 2017, Jakarta, Indonesia (2017); 7th Moscow Biennale, Moscow, Russia (2017); 20th Biennale of Sydney, Sydney, Australia (2016). His works have been awarded The United Overseas Bank Painting of the Year Award (Singapore) in 2009 and The Deutsche Bank Award in Photography by the University of the Arts London in 2011. In 2010, he was awarded The Young Artist Award by the Singapore National Arts Council. He was also named as a finalist for the Hugo Boss Asia Art Award 2017 as the only Southeast Asian artist, and the 12th Benesse Prize 2019 for his work in the 6th Singapore Biennale. Most recently, he was awarded the inaugural Silvana S. Foundation Commission Award in 2020 and Excellence Award in the 44th New Cosmos of Photography competition in 2021.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.