Reece Smith (b. 1999)

Birthplace:
Westmead, New South Wales, Australia

Born:
October 20, 1999

Reece Smith is a 24-year-old filmmaker from Western Sydney whose passion for creative media has been a driving force since his youth. This early enthusiasm evolved into a love for writing during high school, eventually leading him to explore filmmaking with friends. In 2022, Smith began his formal journey in film, enrolling in a Bachelor of Film Production at SAE. During his studies, he has worked on several significant projects, expanding his skillset across various aspects of filmmaking. He served as Director of Photography and editor for “We Were Kids Together” (O’Halloran, 2023), and later as gaffer and colourist on “Kids Don’t Cry” (O’Halloran, 2023). In 2023, Smith directed his own documentary, “Remember Sydney” (Smith, 2023), for which he also created posters.  In the same year, he worked as Director of Photography for a music video featuring the artist ‘The Rarest Joy’. Now, in 2024, Smith has recently completed his latest directorial venture, “The Eternal Anguish of Eli Ash” (Smith, 2024), showcasing his ability to bring complex narratives to life on screen.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.