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Brady O'Sullivan (b. 2004)

Birthplace:
Sydney, New South Wales, Australia

Born:
February 29, 2004

Biography from TheMovieDB

Brady is a 20-year-old filmmaker from Sydney; whose interest in visual storytelling began at 10 years of age and has developed into a deep passion for filmmaking. He has worked on many projects including, The Pen (Brady O’Sullivan, 2015), Sydney 2078 (Brady O’Sullivan, 2021), Something Old (Isabella Ball, 2022), Crimson Sands (Mia Charleson, 2023), and various other productions; endeavoring in roles such as director, DOP, editor, colourist, VFX artist, etc. Many of these films having successful festival runs, earning Brady 48+ festival selections and awards, including screening his film Sydney 2078 in the American Pavillion at the Cannes Film Festival in 2022. He has been a member of the Australian Cinematographers Society for 7+ years, has completed multiple film workshops at AFTRS, and has professional experience as a 1st Assistant Camera and work experience at Panavision Sydney.

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Film Production

Cinematography:
????  The Eternal Anguish of Eli Ash

Editor:
????  The Eternal Anguish of Eli Ash

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.