A work in constant progress (and occasional regress).
Alias:
Kyle Harshman
Birthplace:
Lafayette,Colorado, USA
Born:
April 16, 2005
Kyle Jack is a multifaceted filmmaker and storyteller based in Los Angeles, known for their innovative approach to both visual and narrative elements in their work. Their career is marked by a commitment to pushing the boundaries of short film production and collaborating with fellow filmmakers to create emotionally resonant and thought-provoking works. In addition to their creative work, Kyle Jack is known for their hands-on approach to filmmaking. They often take on multiple roles in their projects, from directing to editing and sound design. Their keen attention to detail and their collaborative spirit with other creatives ensure that each project they touch stands out. Kyle's future projects promise to be just as compelling, Stuck In a Pickle and Model being just a few, with a focus on blending traditional cinematic techniques with modern innovations, ensuring their place at the forefront of the independent film world. Currently residing in Los Angeles, Jack continues to work on a variety of film projects, constantly evolving their craft. Their films are characterized by their bold visuals, emotional depth, and commitment to telling stories that resonate with audiences. With a growing body of work and a reputation for compelling stories, Kyle Jack is on a path to becoming one of the most exciting filmmakers of their generation.
Camera Operator:
2024 Lessons in Italian Food - A Tony Esposito Documentary
2024 Vibrations
2024 Whatever Happens Next The Next Journey Awaits Us, But First Let's Get Rid of This Body
2024 White Noise
Co-Producer:
2024 A Twist of Fate
2024 Lessons in Italian Food - A Tony Esposito Documentary
2024 Vibrations
2024 Whatever Happens Next The Next Journey Awaits Us, But First Let's Get Rid of This Body
2024 White Noise
Director:
2023 VITIATE
2024 A Twist of Fate
2024 Lessons in Italian Food - A Tony Esposito Documentary
2024 Melissa?
2024 Model
2024 Vibrations
2024 Whatever Happens Next The Next Journey Awaits Us, But First Let's Get Rid of This Body
2024 White Noise
Director of Photography:
2023 VITIATE
2024 A Twist of Fate
2024 Lessons in Italian Food - A Tony Esposito Documentary
2024 Melissa?
2024 Model
2024 Vibrations
2024 Whatever Happens Next The Next Journey Awaits Us, But First Let's Get Rid of This Body
2024 White Noise
Editor:
2023 VITIATE
2024 A Twist of Fate
2024 Lessons in Italian Food - A Tony Esposito Documentary
2024 Melissa?
2024 Model
2024 Vibrations
2024 Whatever Happens Next The Next Journey Awaits Us, But First Let's Get Rid of This Body
2024 White Noise
Writer:
2023 VITIATE
2024 A Twist of Fate
2024 Lessons in Italian Food - A Tony Esposito Documentary
2024 Melissa?
2024 Model
2024 Vibrations
2024 Whatever Happens Next The Next Journey Awaits Us, But First Let's Get Rid of This Body
2024 White Noise
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.