Kyle Jack (b. 2005)

Alias:
Kyle Harshman

Birthplace:
Lafayette,Colorado, USA

Born:
April 16, 2005

Kyle Jack is a multifaceted filmmaker and storyteller based in Los Angeles, known for their innovative approach to both visual and narrative elements in their work. Their career is marked by a commitment to pushing the boundaries of short film production and collaborating with fellow filmmakers to create emotionally resonant and thought-provoking works. In addition to their creative work, Kyle Jack is known for their hands-on approach to filmmaking. They often take on multiple roles in their projects, from directing to editing and sound design. Their keen attention to detail and their collaborative spirit with other creatives ensure that each project they touch stands out.  Kyle's future projects promise to be just as compelling, Stuck In a Pickle and Model being just a few, with a focus on blending traditional cinematic techniques with modern innovations, ensuring their place at the forefront of the independent film world. Currently residing in Los Angeles, Jack continues to work on a variety of film projects, constantly evolving their craft. Their films are characterized by their bold visuals, emotional depth, and commitment to telling stories that resonate with audiences. With a growing body of work and a reputation for compelling stories, Kyle Jack is on a path to becoming one of the most exciting filmmakers of their generation.

Additional information:

The Search Form


Camera Operator:
2024  Lessons in Italian Food - A Tony Esposito Documentary
2024  Vibrations
2024  Whatever Happens Next The Next Journey Awaits Us, But First Let's Get Rid of This Body
2024  White Noise

Co-Producer:
2024  A Twist of Fate
2024  Lessons in Italian Food - A Tony Esposito Documentary
2024  Vibrations
2024  Whatever Happens Next The Next Journey Awaits Us, But First Let's Get Rid of This Body
2024  White Noise

Director:
2023  VITIATE
2024  A Twist of Fate
2024  Lessons in Italian Food - A Tony Esposito Documentary
2024  Melissa?
2024  Model
2024  Vibrations
2024  Whatever Happens Next The Next Journey Awaits Us, But First Let's Get Rid of This Body
2024  White Noise

Director of Photography:
2023  VITIATE
2024  A Twist of Fate
2024  Lessons in Italian Food - A Tony Esposito Documentary
2024  Melissa?
2024  Model
2024  Vibrations
2024  Whatever Happens Next The Next Journey Awaits Us, But First Let's Get Rid of This Body
2024  White Noise

Editor:
2023  VITIATE
2024  A Twist of Fate
2024  Lessons in Italian Food - A Tony Esposito Documentary
2024  Melissa?
2024  Model
2024  Vibrations
2024  Whatever Happens Next The Next Journey Awaits Us, But First Let's Get Rid of This Body
2024  White Noise

Writer:
2023  VITIATE
2024  A Twist of Fate
2024  Lessons in Italian Food - A Tony Esposito Documentary
2024  Melissa?
2024  Model
2024  Vibrations
2024  Whatever Happens Next The Next Journey Awaits Us, But First Let's Get Rid of This Body
2024  White Noise

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.