A work in constant progress (and occasional regress).
Alias:
Gaa
Birthplace:
Tasikmalaya, West Java, Indonesia
Born:
August 3, 2009
Alga Wahyu Aditya is an Indonesian filmmaker. He made his debut with a short horror film titled "The Door (2024)" which he created with his cousin. His work is strongly influenced by directors Ingmar Bergman, Andrei Tarkovsky, David Lynch, Stanley Kubrick, and Martin Scorsese, as well as by writers Albert Camus and Franz Kafka, which sparked his interest in existentialism. He made his debut with the horror genre, but his second film, Edward Loneman (2024), marked the beginning of Alga's directorial style, featuring non-linear storytelling, absurd dialogue, the use of jazz music, sudden use of overlay, poetic narrative, employing liminal space shots, exploration of existentialist themes and complex characters.
Camera Operator:
2024 Edward Loneman
2024 The Paper
Director:
2024 Edward Loneman
2024 The Door
2024 The Paper
2025 That Day
2025 Water
???? The Broken TV
Director of Photography:
2024 Edward Loneman
2024 The Door
2024 The Paper
2025 That Day
2025 Water
???? The Broken TV
Editor:
2024 Edward Loneman
2024 The Door
2024 The Paper
2025 That Day
2025 Water
???? The Broken TV
Producer:
2024 Edward Loneman
2024 The Door
2024 The Paper
2025 That Day
2025 Water
???? The Broken TV
Writer:
2024 Edward Loneman
2024 The Door
2024 The Paper
2025 That Day
2025 Water
???? The Broken TV
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.