A work in constant progress (and occasional regress).
Birthplace:
Rio de Janeiro, Brazil
Bruna Kury (1987) is an anarcho-transfeminist, performer, visual and sound artist. She focuses on creations traversing issues of gender, class and race (before the current compulsory heteronormative patriarchal cis-theme and structural oppressions - class warfare). She is currently researching sounds in post-porn and the creation of objects that are ramifications of performance work. She collaborates with the publishing houses "Monstruosas" and "Fera Livre" (Brazil). She participated in the artistic residencies Konvent (Spain), Capacete in Rio de Janeiro (Brazil), Comunidad (Argentina), Festival Anormal (Mexico), was part of the organization of the residency "Post-PornôPirata" in Fortaleza (Ceará, Brazil), Festival Libres y Soberanas aka "Performacula" in Quito (Ecuador) and was in the residency of "Pivô Research Ciclo II" (Brazil, 2020). She recently participated in the exhibitions Visual cartographies for a writting LGBTI+, curated by Andrés I. M. Hernández at "Espaço Arte Vivo", São Paulo (Brazil, 2023), "Entrañas - Els nostres cossos són camps de batalla", curated by Henrique Lukas, Tau Luna, Ju Salgueiro and Margherita Fabbri at Centre LGBT Barcelona (Spain, 2023), "From flight to nostrils: breathing, arms wide, messages in the wind" at HOA Gallery, São Paulo (Brazil, 2023), La Carniceria at proyectoamil (Peru, 2022) During the pandemic she premiered two films, one commissioned by KuirPoetry and the other by SexualHealers (Germany). She is also currently part of the VENTRE1 program of HOA Gallery (Brazil).
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.